Another big “thank you” for this gem flights to our Chicago friend 😀 Fortunately we have two wonderful Forza’s with Leontyne Price–a later one (and one more readily available) with Placido Domingo, Sherill Milnes, Fiorenza Cosotta and Gabriel Bacquier, conducted by James Levine, and this earlier one from 1965. While the later one is an excellent recording, the earlier one takes the cake.
Conducted by Thomas Schippers, whose career was tragically cut short by cancer, it bursts forth with an energy and enthusiasm that just can’t be surpassed. The cast is an American Who’s Who of opera in the mid-’60s. Leontyne Price was not yet 40 when she recorded Leonora on this recording, and she brings to the production the skill and dramatic ability of a mature artist but with a voice still with the bloom of youth and freshness. The combination is incredible.
Many thanks to Jean-Luc for another amazing gem The performances of these concertos by Francis Poulenc are amazing. The Concert champetre (1929) was written for Wanda Landowska and was a favorite piece of hers but she never recorded it despite the urgings of Poulenc. This recording of the Concert champetre was made in 1957 with Aimee van de Wiele as soloist, who gives an energetic performance along the lines of Landowska. The Concerto for two pianos (1932) has the composer and Jacques Fevrier as soloists, a combination that could not be more ideal as Poulenc had Fevirer and himself in mind when he wrote the music.
A huge “thank you” for this gem flights to our Chicago friend 😀 The acclaimed legendary Swedish dramatic Wagnerian soprano Birgit Nilsson, (1918-2005), made her official debut in 1947 at the Stockholm opera as Lady Macbeth. After just three days notice to replace an ailing colleague she had actually debuted in the same house one year earlier as Agathe in Der Freischutz. There were only four or so Verdian roles suited for her special abilities; Turandot, Aida, Lady Macbeth and Amelia. She once refused to learn Norma saying that it had “two many little notes”. She also once said that “Turandot made me rich, Isolde made me famous”. However there are apparently no recordings of any of her staged performances of Lady Macbeth, just this studio recording of excerpts made in London in 1964 under the brilliant conducting of Thomas Schippers.
Many thanks to Trottar for This historical document Historical recordings from (I guess) the 40s/50s. This box contains much of the best of Horowitz’s playing. He is at the top of his ability, and the recordings are just superb, not to mention the incredibly eclectic choice of works that he plays on this. It’s worth it just to hear him play the Chopin Andante Spianato and Grande Polonaise!
Composer: Wolfgang Amadeus Mozart, Karl Czerny, Muzio Clementi, Robert Schumann, Felix Mendelssohn-Bartholdy, Camille Saint-Saëns, Moritz Moszkowski, Sergei Prokofiev, Samuel Barber, Alexander Scriabin, Frédéric Chopin
Performer: Vladimir Horowitz
Vinyl 1963 Number of Discs: 2 Format: FLAC Label: RCA DR-Analysis: DR 11 Size: 1.16 GB Scan: yes Server: FF Continue reading Mono HD-Vinyls 24/96 (RCA) The Horowitz Collection→
Many thanks to our friend Jean-Luc for this masterpiece Anyone who thinks Ormandy was the purveyor of the hearts and flowers of “The Philadelphia Sound” and not much else should be compelled to hear this Beethoven 4 with Serkin. It is truly one of the great 4ths; lyrical, unrushed, affectionately rendered, but with no indulgences at all. Serkin loved this concerto with every fiber of his being, but played no games with it. And–make no mistake–he was accompanied by a master. Of the many versions Serkin recorded during his life, this is surely the one to get.
Many thanks to our friend Urbanox for this rarity This double album is a homage to the Staatskapelle. As intended and commissioned by the Thorens company. The Swiss turntables manufacturer cannot rival the Orchestra’s 460 years, but at 125 years of age, Thorens holds the record as the oldest company of the entertainment industry still in existence. These LPs are meant as a double birthday gift: to ourselves, but above all to our many friends around the world. For friends of the Staatskapelle, friends of Thorens and above all, for lovers of good-quality music reproduction. (Heinz Roher, CEO Thorens)
Many thanks to our friend from Lake Michigan for this gem This is one of the most popular modern recordings of the opera though partly by default as there haven’t been many and the consensus is that the most recent ones lack the great singers of the past. It somewhat lags behind Böhm’s and Furtwängler’s in popularity and critical esteem though I think it’s nearly as good. Most of the criticism has been directed at the conducting. I’ll get to that but first I want to discuss the lead singers.…