# Composer: Edvard Grieg
# Conductor: Sir Thomas Beecham
# Orchestra: Royal Philharmonic Orchestra
# Performers: Beecham Choral Society, Ilse Hollweg
# Vinyl (1957 / 1980)
# Number of Discs: 1
# Format: Flac
# DR Analysis: DR 14
# Label: Franklin Mint Record Society – Record 66 of 100
# Size: 857MB (24/96) + 220MB (16/44.1)
# Recovery: 5%
# Scan: yes
# Server: FF, FP
It’s been quite a while since I’ve posted anything from the Franklin Mint collection, so I figured I might as well continue the recent “Peer Gynt-o-rama” (thanks to AlKat for coining that phrase!) with this performance.
As always, if anyone has requests for other titles in this set, please add them to the comments or PM me directly. Please include the album numbers from the master list with your requests.
With a career spanning more than five decades, Thomas Beecham was one of the most important and influential conductors in England during the first half of the 20th century. He had a tendency, when dissatisfied with the musical scene in a given locale, to just form a new orchestra. As such, Beecham was responsible for the founding of both the London Philharmonic Orchestra and the Royal Philharmonic Orchestra. Beecham also had a penchant for unearthing little-known compositions, or performing less common versions of works.
This collection features one of his favorite works, Grieg’s incidental music to Peer Gynt. Most listeners are no doubt familiar with one or both of the orchestra suites Grieg extracted from the 23 total numbers, but Beecham presents listeners with much more. Beecham includes the seldom-heard choral parts from “In the Hall of the Mountain King” and “Arabian Dance” as well as the solo soprano parts from “Solveig’s Song” and “Solveig’s Lullaby.”
Leading his own Royal Philharmonic Orchestra, Beecham’s interpretation is vibrant and detailed; he demands and receives the utmost precision and nuance from his orchestra throughout Peer Gynt. With so many positive attributes, it is little wonder why this recording has been reissued so frequently. – Mike D. Brownell, allmusic.com
Suite N°1 – Op.46
01 – Wedding March (Act 1, Scene 3)
02 – Ingrid’s Lament (Act 2, Scene 1)
03 – In The Hall Of The Mountain King (Act 2, Scene 6) (with chorus)
04 – Morning (Act 4)
05 – Ase’s Death (Act 3, Scene 4)
Suite N°2 – Op.55
06 – 1st Arabian Dance (Act 4, Scene 6) (with chorus)
07 – Solveig’s Song (Act 4, Scene 10)
08 – Anitra’s Dance (Act 4, Scene 6)
09 – Return Of Peer Gynt (Storm Scene) (Act 5, Scene 1)
10 – Solveig’s Lullaby (Wiegenlied) (Act 5, Scene 10)
Soprano vocals on tracks 7, 10 – Ilse Hollweg
Track 1 orchestrated by Johan Halvorsen
Additional information can be found here.
You can see a listing of the entire Franklin Mint set here.
All vinyl is cleaned on a VPI 16.5
Technics SL1200-MK5 (modified)
– Rega RB300 arm with RB700 wiring
– Michell Tecnoweight
– SoundSupports armboard
– Trans-Fi Audio Reso-Mat
Shure V15VxMR (with Jico stylus)
SimAudio Moon 110LP preamp
Native Instruments Audio4DJ USB interface
Processing: Sound Forge 10, ClickRepair (manual mode only), iZotope RX2
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