HD-Vinyl 24/192 (DGG) Franz Schubert – Symphony No. 9 (Giulini)


Don’t be afraid of the slow tempi; Giulini is one of those conductors of genius who can make it work, and sometimes even convince you that it’s better their way, which he does in the first and fourth movements. I agree with other reviewers that he could have brought out more of the parodistic qualities of the second and third movements, but that is small potatoes compared to his attention to musical detail, and the controlled passion in his interpretation. Giulini also had a knack for getting precisely the sound he wanted out of any orchestra, even if they were used to playing differently, and much as I like Solti I prefer the sound Giulini coaxes here from the CSO.

Composer: Franz Schubert
Orchestra: Chicago Symphony Orchestra
Conductor: Carlo Maria Giulini
Vinyl 1977
Number of Discs: 1
Format: FLAC
Label: DGG
DR-Analysis: DR 13

Size: 2.17 GB

Scan: yes
Server: FF

In my experience this is a uniquely heroic Schubert Ninth, one of the few in modern sound that returns to the way Furtwangler performed it, but going even further in grandeur. In his eighties Giulini became a very slow conductor, and his last phase, as heard on numerous Sony recordings, took patience on the listener’s part. In the midst of too many performances where weight and solemnity counted against the music, a few struck gold. No one but Celibidache would have dared to unfold the “Great” C Major symphony as if it were by Bruckner; more often conductors try to reverse the link to bring out the Schubertian side of Bruckner, lightening texture and tempo. Giulini dares to find tragic depth, for example, in the second movement, usually taken at a faster than ambling pace as befits its marking of Andante con moto.

Giulini approaches the all but endless repetition in this movement as a protracted outcry from the heart — an ache that refuses to heal — leaning into the second subject for lyric anguish. This movement is the touchstone, I think, for whether a listener will respond to the whole interpretation. The other three movements fall into line; the conductor is serious and determined even in the Scherzo. It’s startling that he exposes such gravity in the key of C (is there any comparable example in other symphonies?) yet the Chicago Symphony Orchestra follows with sympathy and intensity. Slow tempi can be saved by having inner live, as they do here.

 

Tracklist

  Symphonie Nr. 9 C-dur D. 944  
A1 1. Andante – Allegro Ma Non Troppo 14:26
A2 2. Andante Con Moto 16:51
B1 3. Scherzo. Allegro Vivace 16:10
B2 4. Finale. Allegro Vivace 11:08

 

———————————————————————————————-
Analyzed Folder: /192k Schubert – Symphony No. 9 – Giulini_dr.txt
———————————————————————————————-
DR Peak RMS Filename
———————————————————————————————-
DR12 -0.74 dB -19.47 dB A1 Symphonie Nr. 9 C-dur D. 944 – 1. Andante – Allegro Ma Non Troppo.flac
DR14 -0.47 dB -21.98 dB A2 Symphonie Nr. 9 C-dur D. 944 – 2. Andante Con Moto.flac
DR14 -2.37 dB -22.67 dB B1 Symphonie Nr. 9 C-dur D. 944 – 3. Scherzo. Allegro Vivace.flac
DR13 -0.21 dB -17.81 dB B2 Symphonie Nr. 9 C-dur D. 944 – 4. Finale. Allegro Vivace.flac
———————————————————————————————-
Number of Files: 4
Official DR Value: DR13
==============================================================================================

Credits

  • Composed By – Franz Schubert
  • Conductor – Carlo Maria Giulini
  • Engineer [Recording Engineer] – Hans-Peter Schweigmann
  • Orchestra – Chicago Symphony Orchestra
  • Producer – Günther Breest
  • Recording Supervisor – Cord Garben

 

Ripping Info

  1. RCM: Okki Nokki (L’art du son, Clearaudio’s Diamond Cleaner)
  2. TT: Vintage (1982) Yamaha PX-3
  3. Cartridge: Sumiko Black Bird
  4. Cartridge: ZYX 50R Bloom
  5. Phono amp: Audio Research SP15 own tube phono section.
  6. ADC/DAC: RME Fireface UC

Monitoring

A few words about the way i’ve been cleaning vinyl records and post-processing rips, since summer 2017: After washing and recording the vinyl, I use a kind of mixed cleaning of the rip, which consists of mostly manual rather than automatic de-clicking, (the latter only on unimportant passages, such as end of the groove, beginning and end of the songs, applause, speaking). I often leave the rips almost rough, de-clicking only the silences between the tracks. Never de-noising or/and EQ, as unfortunately some do. I prefer to hear a bit of quiet noises of the clean groove, that contain something of the music, rather than generate clinically clean files that may, eventually, sound a bit dead. If you do not agree, do not download my rips and buy instead digital files or CDs.
When I listen to music I “don’t hear” any noise: I enjoy the music 😀
I do not make rips for headphones!

  • Software: iZotope RX 5 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.18
  • Very careful de-clicking with iZotope, significant clicks manually removed, never de-noising
  • DR-Analisys
  • Wave 32/192(32/384) —> Flac 24/96 & 24/192: Twisted Wave 1.18
  • Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5

DONATION !
If you like what i do, please consider that a little donation would be very appreciated.
I reinvest all donations in maintenance of my rig, for purchasing cleaning solutions and, most important of all, purchasing of new vinyls.
Click on the “Donate”-button. Thank you very much !

DL from FileFactory

PW: FloriaTosca

 

Leave a Comment