HD-Vinyl 24/192 (EMI) Ouvertures and Intermezzi (Karajan/Mutter)


The album is all about Maestro Herbert von Karajan, who did most of his recording during the Sixties, Seventies, and Eighties with DG but always keep his ties open with EMI, having signed a contract with them all the way back in the Forties. He continued working with EMI almost exclusively through the Fifties and sporadically thereafter. While the earliest overtures and intermezzi contained on this album derive from 1960 and 1976, most of it is from the early 80’s.
Due to a digital error, please, DL track A1 again and replace the old one.

Composer: Jules Massenet, Luigi Cherubini, Carl Maria von Weber, Franz Schmidt, Giacomo Puccini, Engelbert Humperdinck, Pietro Mascagni

Performer: Anne-Sophie Mutter

Orchestra: Berlin Philharmonic Orchestra

Conductor: Herbert von Karajan
Vinyl 1981

Number of Discs: 1

Format: FLAC

Label: EMI
DR-Analysis: DR 13
Size: 2.22 GB
Scan: yes

Server: FF

As usual, Karajan played them with his somewhat Romantic, glamorous, grandiose touch, the thematic qualities of the music sometimes playing second fiddle to the sheer beauty of the sound. It’s what Karajan did best and why he was one of the most-popular conductors of his time. With bits like Anne-Sophie Mutter playing the violin in Thais, the old magic returning in Hansel und Gretel, and the Berlin Philharmonic at their peak, the collection remains a surefire crowd-pleaser.

EMI’s sound for Karajan and the BPO is less warm, less padded, and less congested than what we often heard from the same ensemble on DG. Instead, the EMI sound is slightly bright, fairly open, and reasonably transparent. To my ears it is the most realistically ambient, with its stereo spread the widest, its depth of image the most noticeable, and its resonant hall sonics the most clearly captured. And as with almost all newer remasterings, there is virtually no background noise to contend with and no appreciable loss of high end. In all, then, this is a pleasant collection.

 

Tracklist

A1 Thaïs – Méditation

Composed By – Jules Massenet
Violin – Anne-Sophie Mutter

6:44
A2 Anacreon – Ouverture

Composed By – Luigi Cherubini

11:07
A3 Der Freischutz – Ouverture

Composed By – Carl Maria von Weber

10:36
B1 Notre-Dame – Intermezzo

Composed By – Franz Schmidt

6:16
B2 Suor Angelica – Intermezzo

Composed By – Giacomo Puccini

5:01
B3 Manon Lescaut – Intermezzo

Composed By – Giacomo Puccini

5:29
B4 L’Amico Fritz – Intermezzo

Composed By – Pietro Mascagni

5:15
B5 Hänsel Und Gretel – Ouverture

Composed By – Engelbert Humperdinck

8:27

 

———————————————————————————————-
Analyzed Folder: /192k Ouvertures and Intermezzi – Karajan, Mutter_dr.txt
———————————————————————————————-
DR Peak RMS Filename
———————————————————————————————-
DR15 -0.58 dB -22.32 dB A1 Jules Massenet – ‘Thais’ Meditation.aif
DR13 -0.42 dB -18.98 dB A2 Luigi Cherubini – ‘Anacreon’ Overture.aif
DR13 -0.46 dB -18.87 dB A3 Carl Maria von Weber – ‘Der Freischuetz’ Overture.aif
DR12 -0.74 dB -16.68 dB B1 Franz Schmidt – ‘Notre Dame’ Intermezzo.aif
DR14 -4.05 dB -24.56 dB B2 Giacomo Puccini – ‘Suor Angelica’ Intermezzo.aif
DR13 -0.47 dB -20.48 dB B3 Giacomo Puccini – ‘Manon Lescaut’ Intermezzo.aif
DR14 -0.67 dB -20.10 dB B4 Pietro Mascagni – ‘L’amico Fritz’ Intermezzo.aif
DR14 -0.45 dB -21.67 dB B5 Engelbert Humperdinck – ‘Haensel Und Gretel’ Overture.aif
———————————————————————————————-
Number of Files: 8
Official DR Value: DR13
==============================================================================================

 

Ripping Info

Monitoring

A few words about the way i’ve been cleaning vinyl records and post-processing rips, since summer 2017: After washing and recording the vinyl, I use a kind of mixed cleaning of the rip, which consists of mostly manual rather than automatic de-clicking, (the latter only on unimportant passages, such as end of the groove, beginning and end of the songs, applause, speaking). I often leave the rips almost rough, de-clicking only the silences between the tracks. Never de-noising or/and EQ, as unfortunately some do. I prefer to hear a bit of quiet noises of the clean groove, that contain something of the music, rather than generate clinically clean files that may, eventually, sound a bit dead. If you do not agree, do not download my rips and buy instead digital files or CDs.
When I listen to music I “don’t hear” any noise: I enjoy the music 😀
I do not make rips for headphones!

  • Software: iZotope RX 5 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.18
  • Very careful de-clicking with iZotope, significant clicks manually removed, never de-noising
  • DR-Analisys
  • Wave 32/192(32/384) —> Flac 24/96 & 24/192: Twisted Wave 1.18
  • Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5

 

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PW: FloriaTosca

 

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