A great great “THANK YOU” to our friend Jean-Luc for this gift
In the late quartets Beethoven continued to evolve many of his compositional techniques: he manages to add to the harmonic rules of before and does new things in the way of tonality and form. These quartets have a sound world all of their own, and create a small-scale effect quite different from the massive-sounding works that came before, such as the “Hammerklavier” sonata and the 9th Symphony. It would be fair to say that no other artist has ever mangaged to reach such spiritual heights. The Quartetto Italiano give superbly polished performances which are able to express the refined tones of these works. Compare their well-rehearsed renditions that come close to perfection with the more ruffled recordings of the Vegh Quartet, for example, and one really appreciates the way in which they are able to sustain the superhuman requirements of these pieces. With the Vegh team we hear 4 human beings, with these recordings we hear Beethoven’s unique vision.
Composer: Ludwig van Beethoven
Performer: Quartetto Italiano
Number of Discs: 1
DR-Analysis: DR 14
Size: 2.39 GB
The “middle period” quartets (op. 59, 74, 95) shows Beethoven at his most “Heroic” style composing broad, sweeping, and increasing complex part writing – so much that the fickle Viennese audiences used to Haydn’s and Mozart’s classical style were not quite sure what to think of them.
Even more abstract to audiences (outside Beethoven’s quartet friends) were the late works (Op. 127, 130-135) which progress to totally new ideas, sounds and organization. These included unusual, frequent and unexpected shifts in dynamics, tempo and key modulations. But most historic was an intangible emotive quality Beethoven introduced to music which might be termed “spirituality.” What is most amazing is that these musical revolutions all were developed when in Bethoven’s final years lived in a state of sadness, illness, deafness and isolation. Yet, having a lifetime of notes and music in his head, his composing skills were not limited at all by this deafness but perhaps even more focused. With their highly evolutionary form and spiritual nature, the late quartets are in a category of their own and have provoked many an analysis as to their meaning and connection to Beethoven’s final years.
The Quartetto Italiano show why they were a legendary quartet in the 60’s and 70’s with a remarkable performance of great depth here. Complementing them is a vibrant Philips recording in spite of its 60’s heritage. The sound is very good. Their playing is masterful, dramatic and probing – all while maintaining their characteristic smooth and emotive style that has endeared them for generations.
|Streichquartett Nr. 13 B – Dur Op. 130|
|A1||Adagio Ma Non Troppo – Allegro|
|A3||Andante Con Moto Ma Non Troppo. Poco Scherzando|
|A4||Alla Danza Tedesca (Allegro Assai)|
|A5||Cavatina (Adagio Molto Espressivo)|
|Grosse Fuge B – Dur Op. 133|
|B1||Overtura (Allegro) – Meno Mosso E Moderato – Allegro – Fuga|
Analyzed Folder: /Volumes/HRS Music/ Classical Publishing/ Jean-Luc/192kLvB_StQ130-133_QuIt/192k LvB – String Quartets Op. 130, 133 (Quartetto Italiano) /192k LvB – String Quartets Op. 130, 133 (Quartetto Italiano) _dr.txt
DR Peak RMS Filename
DR15 -0.55 dB -20.95 dB A1 Streichquartett Nr. 13 B-dur, Op. 130 – 1. Adagio Ma Non Troppo – Allegro.flac
DR13 -2.96 dB -21.73 dB A2 Streichquartett Nr. 13 B-dur, Op. 130 – 2. Presto.flac
DR16 -2.41 dB -23.33 dB A3 Streichquartett Nr. 13 B-dur, Op. 130 – 3. Andante Con Moto Ma Non Troppo. Poco Scherzando.flac
DR13 -4.55 dB -22.33 dB A4 Streichquartett Nr. 13 B-dur, Op. 130 – 4. Alta Danza Tedesca (Allegro Assai).flac
DR14 -8.02 dB -26.83 dB A5 Streichquartett Nr. 13 B-dur, Op. 130 – 5. Cavatina (Adagio Molto Espressivo).flac
DR12 -0.68 dB -17.29 dB B1 Grosse Fuge B-dur Fuer Streichquartett, Op. 133 – Overtura (Allegro) – Meno Mosso E Moderato – Allegro – Fuga.flac
DR14 -0.30 dB -19.54 dB B2 Streichquartett Nr. 13 B-dur, Op. 130 – Streichquartett Nr. 13 B-dur, Op. 130 – 6. Finale (Allegro).flac
Number of Files: 7
Official DR Value: DR14
- RCM: Okki Nokki (L’art du son, Clearaudio’s Diamond Cleaner)
- TT: Vintage (1982) Yamaha PX-3
- Cartridge: Sumiko Black Bird
Cartridge: ZYX 50R Bloom
- Phono amp: Audio Research SP15 own tube phono section.
- ADC/DAC: RME Fireface UC
- Pre Amp: Audio Research SP15
- Finals: Opera Consonance 9.9 Mono (Tube)
- Speakers: Dali Helikon 400
- Connections: MIT Terminator, Audioquest Emerald, Audioquest Quartz
- Software: iZotope RX 4 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.9
- Super light de-clicking with iZotope, significant clicks manually removing, no de-noising
- DR-Analisys before converting to Flac
- Converting Wave -> Flac: Twisted Wave 1.9
- Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5
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