Many thanks to Jean-Luc for this black gold
Otto Klemperer takes Haydn very seriously. While some might find his approach overly deliberate and lacking in vitality and humor, I find it profound. He recognizes Haydn as the great master whom he was. And the orchestral playing is perfectly balanced and extremely beautiful. The Haydn symphony recordings, with outstanding performances under Otto Klemperer’s baton, have been seen as immortal classics ever since their first release on LPs.
Composer: Joseph Haydn
Orchestra: New Philharmonia Orchestra
Conductor: Otto Klemperer
Number of Discs: 1
DR-Analysis: DR 12
Size: 1.1 GB
Analyzed Folder: /96k Haydn – Symphonies No. 88, No. 104 – Klemperer_dr.txt ———————————————————————————————-
DR Peak RMS Filename
DR11 -1.53 dB -15.68 dB A1 Symphony No. 88 In G – Adagio-Allegro.flac
DR13 -1.67 dB -20.21 dB A2 Symphony No. 88 In G – Largo.flac
DR12 -1.34 dB -16.73 dB A3 Symphony No. 88 In G – Menuetto (Allegretto) And Trio.flac
DR12 -0.56 dB -16.90 dB A4 Symphony No. 88 In G – Allegro Con Spirito.flac
DR12 -1.60 dB -17.80 dB B1 Symphony No. 104 In D ‘London’ – Adagio-Allegro.flac
DR12 -1.22 dB -20.48 dB B2 Symphony No. 104 In D ‘London’ – Andante.flac
DR11 -1.40 dB -17.42 dB B3 Symphony No. 104 In D ‘London’ – Menuetto (Allegro) And Trio.flac
DR11 -0.92 dB -16.41 dB B4 Symphony No. 104 In D ‘London’ – Allegro Spiritoso.flac
Number of Files: 8
Official DR Value: DR12
- RCM: Okki Nokki (L’art du son, Clearaudio’s Diamond Cleaner)
- TT: Vintage (1982) Yamaha PX-3
Cartridge: Sumiko Black Bird
- Cartridge: ZYX 50R Bloom
- Phono amp: Audio Research SP15 own tube phono section.
- ADC/DAC: RME Fireface UC
- Pre Amp: Audio Research SP15
- Finals: Opera Consonance 9.9 Mono (Tube)
- Speakers: Dali Helikon 400
- Connections: MIT Terminator, Audioquest Emerald, Audioquest Quartz
A few words about the way i’ve been cleaning vinyl records and post-processing rips, since summer 2017: After washing and recording the vinyl, I use a kind of mixed cleaning of the rip, which consists of mostly manual rather than automatic de-clicking, (the latter only on unimportant passages, such as end of the groove, beginning and end of the songs, applause, speaking). I often leave the rips almost rough, de-clicking only the silences between the tracks. Never de-noising or/and EQ, as unfortunately some do. I prefer to hear a bit of quiet noises of the clean groove, that contain something of the music, rather than generate clinically clean files that may, eventually, sound a bit dead. If you do not agree, do not download my rips and buy instead digital files or CDs.
When I listen to music I “don’t hear” any noise: I enjoy the music 😀
I do not make rips for headphones!
- Software: iZotope RX 5 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.18
- Very careful de-clicking with iZotope, significant clicks manually removed, never de-noising
- Wave 32/192(32/384) —> Flac 24/96 & 24/192: Twisted Wave 1.18
- Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5
If you like what i do, please consider that a little donation would be very appreciated.
I reinvest all donations in maintenance of my rig, for purchasing cleaning solutions and, most important of all, purchasing of new vinyls.
Click on the “Donate”-button. Thank you very much !