Many thanks to our friend Trottar for this beauty
Mahler conducting has moved in a different direction from what we hear on this recording of the Seventh under Solti. Comparison with almost any other famous account — from Bernstein, Abbado, Boulez, or Tennstedt — reveals how extroverted and hyper-energized Solti is. The recording has been engineered for maximum detail, almost x-ray like, and any ambiguous or problematic aspects in the score are charged through, with forward momentum prevailing over anything else.
Composer: Gustav Mahler
Orchestra: Chicago Symphony Orchestra
Conductor: Georg Solti
Number of Discs: 2
Size: 1.55 GB
What I immediately like about this recording is the attention to rhythm and emotion. The opening march-like beat by the strings is well executed and the horn solos that follow are first class. In fact, first class is what this recording is all about. The Chicago Symphony is at the top of its form throughout this performance and the most striking aspect of this recording is the balance of the orchestral voices. The accentuation and attention to dynamics is superb. The mandolin solos are clear and enjoyable and the harp is lustrous and atmospheric. The third movement is one of the best on record. There is so much to say that I feel saying anything more would give it away. I will say this. The finale of the final movement (and of the symphony of course) is an achievement of spectacular proportions. Joyous, exciting, and spiritually uplifting, this is the shining moment of this rendition!
This was my second experience with this work (my first was Kubelik with the Bavarian Radio Symphony) and I still enjoy it alongside the Bernstein/New York Philharmonic DG masterpiece. This is a wonderful job of a conductor and orchestra at their world-class best triumphant over one of Mahler’s most difficult scores. Recorded in the acoustically perfect Krannert Center on the University of Illinois campus in Champaign by DECCA’s David Harvey and Kenneth Wilkinson, we have been offered again an exceptional collaboration of Sir Georg Solti and the Chicago Symphony that has stood, stands, and will stand the test of time. Bravi!!
Analyzed folder: /96k Mahler – Symphony No. 7 – Solti
DR Peak RMS Filename
DR13 -0.41 dB -17.96 dB A First Movement- Langsam – Allegro.aif
DR13 -4.41 dB -24.43 dB B Second Movement- Nachtmusik I. Allegro Moderato.aif
DR13 -1.89 dB -20.41 dB C1 Third Movement- Scherzo.aif
DR13 -3.32 dB -22.04 dB C2 Fourth Movement- Nachtmusik II. Andante Amoroso.aif
DR12 -1.69 dB -17.56 dB D Fourth Movement- Rondo – Finale.aif
Number of files: 5
Official DR value: DR13
- Composed By – Gustav Mahler
- Conductor – Georg Solti
- Liner Notes – Hans-Klaus Jungheinrich
- Orchestra – Chicago Symphony Orchestra
- Photography – Teldec-Bildarchiv
- RCM: Okki Nokki (L’art du son, Clearaudio’s Diamond Cleaner)
- TT: Vintage (1982) Yamaha PX-3
- Cartridge: Sumiko Black Bird
Cartridge: ZYX 50R Bloom
- Phono amp: Audio Research SP15 own tube phono section
- ADC/DAC: RME Fireface UC
- Pre Amp: Audio Research SP15
- Finals: Opera Consonance 9.9 Mono (Tube)
- Speakers: Dali Helikon 400
- Connections: MIT Terminator, Audioquest Emerald, Audioquest Quartz
- Software: iZotope RX 4 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.9
- Super light de-clicking with iZotope, significant clicks manually removing, no de-noising
- DR-Analisys before converting to Flac
- Converting Wave -> Flac: Twisted Wave 1.9
- Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5
If you like what i do, please consider that a little donation would be very appreciate.
I reinvest all donations in maintenance of my rig, for purchasing cleaning solutions and, most important of all, purchasing of new vinyls.
Click on the “Donate”-button.