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Vladimir Vladimirovich Sofronitsky (or Sofronitzky; Russian: Влади́мир Влади́мирович Софрони́цкий, Vladimir Sofronitskij; May 8 [O.S. April 25] 1901 – August 26, 1961) was a Soviet-Russian classical pianist, best known as an interpreter of the Russian composer Alexander Scriabin, whose daughter he married.
Composer: Robert Schumann, Frederyk Chopin, Alexander Scriabin
Performer: Vladimir Sofronitzky
Number of discs: 3
DR-Analysis: DR 11
Size: 1.31 GB
Vladimir Sofronitsky was born in St. Petersburg to a physics teacher father and a mother from an artistic family. In 1903, his family moved to Warsaw, where he started piano lessons with Anna Lebedeva-Getcevich (a student of Nikolai Rubinstein), and later (at age nine) with Aleksander Michałowski.
From 1916 to 1921, Sofronitsky studied in the Petrograd Conservatory under Leonid Nikolayev, where Dmitri Shostakovich, Maria Yudina, and Elena Scriabina, the eldest daughter of the deceased Alexander Scriabin, were among his classmates. He met Scriabina in 1917 and married her in 1920. While he had already divulged a sympathy for the piano music of the recently deceased mystic composer—as attested by Yudina—he now had a greater intellectual and emotional connection to Scriabin’s works through his wife and through the Scriabin in-laws. Sofronitsky was also acclaimed as an outstanding pianist by the composer Alexander Glazunov and the musicologist and critic Alexander Ossovsky.
He gave his first solo concert in 1919, and his only foreign tour in France between 1928 and 1929. The only other time he performed outside the Soviet Union was at the Potsdam Conference in 1945, when he was suddenly sent by Stalin to play for the allied leaders.
Sofronitsky taught at the Leningrad Conservatory from 1936 to 1942, and then at the Moscow Conservatory until his death.
He gave many performances at the Scriabin Museum in Moscow, especially during the latter part of his career.
Sofronitsky made a fair number of recordings in the last two decades of his life, but a relatively small number overall compared with the titanic efforts of his younger countrymen Sviatoslav Richter and Emil Gilels. Drawn principally to Romantic repertoire, Sofronitsky recorded a large number of Scriabin works and also compositions by Beethoven, Schubert, Chopin, Schumann, Liszt, Lyadov, Rachmaninoff, Medtner, Prokofiev, and others.
His daughter (through his second wife) is the Canadian classical pianist Viviana Sofronitsky.
Having met Scriabin’s daughter only after her father’s death, Sofronitsky never met the composer. Nevertheless, his wife vouched that the pianist was the most authentic interpreter of her late father’s works. The other composer with whom Sofronitsky had the greatest affinity is Frédéric Chopin. He once told an interviewer: “A love for Chopin has followed me through the course of my entire life.” Beyond Chopin and Scriabin, Sofronitsky had a wide repertoire spanning major composers from Johann Sebastian Bach to Nikolai Medtner and reaching as far as the works of Boris Goltz (1913–1942), with a focus on 19th-century Romantic composers and early 20th-century Russians.
Recognition and recordings
Although little known in the West, never having toured or recorded there, Sofronitsky was held in the highest regard in his native land. Sviatoslav Richter and Emil Gilels looked up to Sofronitsky as their master, and famously, when Sofronitsky once drunkenly proclaimed that Richter was a genius, in return Richter toasted him and proclaimed him a god. Upon hearing of Sofronitsky’s death, Gilels was reputed to have said that “the greatest pianist in the world has died.”
Sofronitsky’s recordings have not been issued systematically in the West. One noteworthy release, in BMG’s “Russian Piano School” series, contains a complete concert, including a mercurial and highly praised account of Schumann’s Piano Sonata No. 1, Op. 11. His issue in Philips’ Great Pianists of the Twentieth Century features Chopin mazurkas and waltzes on the first CD and some of his legendary Scriabin on the second, including the 2nd (first movement), 3rd, 4th, and 9th sonatas and a performance of Vers la flamme. Denon Classics’ (Japan) Vladimir Sofronitsky Edition is a series of 15 CDs, ten of which remain in print. Other Sofronitsky recordings have been issued by such labels as Arkadia, Arlecchino, Chant du Monde, Multisonic, Urania, and, most notably, Vista Vera, which has released seventeen volumes of Sofronitsky recordings as of April, 2010.
He was awarded a Stalin Prize of the first class in 1943 and proclaimed an Honoured Artist of the RSFSR in 1942.
Analyzed folder: /96k Chopin, Schumann, Scriabin – Sofronitzki
DR Peak RMS Filename
DR10 -1.01 dB -13.94 dB A1 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 1st Part.aif
DR11 -1.41 dB -18.27 dB A2 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 2nd Part.aif
DR9 -1.29 dB -15.75 dB A3 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 3rd Part.aif
DR13 -5.20 dB -23.58 dB A4 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 4th Part.aif
DR10 -2.25 dB -16.72 dB A5 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 5th Part.aif
DR12 -1.76 dB -19.17 dB B1 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 6th Part.aif
DR8 -1.22 dB -12.72 dB B2 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 7th Part.aif
DR9 -1.22 dB -14.52 dB B3 Schumann – Kreisleriana, Fantasies for the Piano Forte Op. 16 – 8th Part.aif
DR12 -2.47 dB -18.57 dB B4 Schumann – Variations on a Theme by Clara Wieck, Op. 14.aif
DR12 -3.21 dB -20.79 dB B5 Schumann – Arabesque in C, Op. 18.aif
DR12 -1.75 dB -18.97 dB C1 Chopin – Polonaise No. 1 Op. 26 No. 2.aif
DR11 -1.67 dB -19.07 dB C2 Chopin – Nocturne No. 7 Op. 27 No. 1.aif
DR11 -2.41 dB -19.60 dB C3 Chopin – Etude No. 3 ‘Tristesse’ Op. 10 No. 3.aif
DR13 -2.53 dB -20.21 dB C4 Chopin – Mazurka No. 32 Op. 50 No. 3.aif
DR10 -3.02 dB -15.50 dB C5 Chopin – Etude No. 4 Op. 10 No. 4.aif
DR11 -1.63 dB -16.62 dB D1 Chopin – Impromptu No. 3 Op. 51.aif
DR13 -3.09 dB -19.65 dB D2 Chopin – Valse No. 12 Op. 70 No. 2.aif
DR11 -1.24 dB -18.17 dB D3 Chopin – Nocturne No. 8 Op. 27 No. 2.aif
DR12 -4.80 dB -21.35 dB D4 Chopin – Valse No. 13 Op. 70 No. 3.aif
DR11 -3.02 dB -18.20 dB D5 Chopin – Ballade No. 3 Op. 47.aif
DR13 -1.06 dB -17.61 dB E1 Scriabin – Sonata No. 3 Op. 23 – Drammatico.aif
DR12 -1.29 dB -18.07 dB E2 Scriabin – Sonata No. 3 Op. 23 – Allegretto.aif
DR12 -1.16 dB -18.50 dB E3 Scriabin – Sonata No. 3 Op. 23 – Andante-attacca-Presto Con Fuoco.aif
DR13 -5.02 dB -23.01 dB E4 Scriabin – Etude No. 11 Op. 8 No. 11.aif
DR12 -0.58 dB -18.19 dB F1 Scriabin – Sonata No. 9 Op. 68.aif
DR11 -0.67 dB -17.36 dB F2 Scriabin – ‘Flammes Sombres’ Op. 73 No. 2.aif
DR13 -10.01 dB -28.42 dB F3 Scriabin – ‘Guirlandes’ Op. 73 No. 1.aif
DR12 -2.73 dB -19.29 dB F4 Scriabin – Poeme ‘Vers La Flamme’ Op. 72.aif
Number of files: 28
Official DR value: DR11
- RCM: Okki Nokki (L’art du son, Clearaudio’s Diamond Cleaner)
- TT: Vintage (1982) Yamaha PX-3
Cartridge: Sumiko Black Bird
- Cartridge: ZYX 50R Bloom
- Phono amp: Audio Research SP15 own tube phono section.
- ADC/DAC: RME Fireface UC
- Pre Amp: Audio Research SP15
- Finals: Opera Consonance 9.9 Mono (Tube)
- Speakers: Dali Helikon 400
- Connections: MIT Terminator, Audioquest Emerald, Audioquest Quartz
- Software: iZotope RX 4 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.9
- Super light de-clicking with iZotope, significant clicks manually removing, no de-noising
- DR-Analisys before converting to Flac
- Converting Wave -> Flac: Twisted Wave 1.9
- Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5
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