Many thanks to our friend Trottar for this rarity
Early in his career, Alfred Brendel made a number of recordings for the Vox label, which includes these sets of the Dvorak “Slavonic Dances” in their original piano four-hands versions, where Brendel and Walter Klien do the honors. The recordings are from 1959, so that we have both the young Brendel and the young Walter Klien captured in sound early on.
All the performances are pretty straightforward, without fuss or muss. One nice feature about hearing the piano four-hands version is how much more clearly the Czech ‘sousedska’ dance form is related to the Austrian ‘Laendler’ when hearing the piano four-hand version, compared to the orchestral versions, at least IMHO. Brendel and Walter Klien do bring a light touch when needed, but when the music calls for what sounds like a bash-fest, particularly in the energetic moments, that’s kind of what you get.
# Composer: Antonin Dvorak
# Performer: Alfred Brendel, Walter Klien
# Vinyl (1959)
# Number of Discs: 1
# Format: Flac
# Label: Turnabout
# DR-Analysis: DR 13
# Size: 1.19 GB
# Scan: yes
# Server: FileFactory
|A1||No. 1, C Major||3:25|
|A2||No. 2, E Minor||3:45|
|A3||No. 3, D Major||4:05|
|A4||No. 4, F Major||4:42|
|A5||No. 5, A Major||2:58|
|A6||No. 6, A-Flat Major||3:52|
|A7||No. 7, C Minor||2:47|
|A8||No. 8, G Minor||3:20|
|B1||No. 9, B Major||4:03|
|B2||No. 10, E Minor||3:40|
|B3||No. 11, F Major||2:50|
|B4||No. 12, D-Flat Major||4:16|
|B5||No. 13, D-Flat Major||2:34|
|B6||No. 14, B-Flat Major||2:58|
|B7||No. 15, C Major||3:07|
|B8||No. 16, A-Flat Major||4:58|
Analyzed folder: /96k Dvorak – Slavonic Dances – Alfred Brendel, Walter Klien
DR Peak RMS Filename
DR11 -1.21 dB -17.36 dB A1 No. 1, C Major.aif
DR12 -2.05 dB -19.74 dB A2 No. 2, E Minor.aif
DR12 -2.80 dB -20.60 dB A3 No. 3, D Major.aif
DR13 -3.59 dB -21.20 dB A4 No. 4, F Major.aif
DR13 -2.22 dB -19.43 dB A5 No. 5, A Major.aif
DR14 -2.87 dB -20.96 dB A6 No. 6, A-Flat Major.aif
DR12 -2.04 dB -20.07 dB A7 No. 7, C Minor.aif
DR12 -2.67 dB -19.71 dB A8 No. 8, G Minor.aif
DR13 -1.35 dB -20.25 dB B1 No. 9, B Major.aif
DR14 -3.93 dB -22.35 dB B2 No. 10, E Minor.aif
DR13 -2.47 dB -18.88 dB B3 No. 11, F Major.aif
DR13 -2.22 dB -21.43 dB B4 No. 12, D-Flat Major.aif
DR13 -3.44 dB -20.31 dB B5 No. 13, D-Flat Major.aif
DR12 -4.65 dB -20.90 dB B6 No. 14, B-Flat Major.aif
DR12 -1.67 dB -17.41 dB B7 No. 15, C Major.aif
DR13 -2.82 dB -24.40 dB B8 No. 16, A-Flat Major.aif
Number of files: 16
Official DR value: DR13
- RCM: Okki Nokki (L’art du son, Clearaudio’s Diamond Cleaner)
- TT: Vintage (1982) Yamaha PX-3
Cartridge: Sumiko Black Bird
- Cartridge: ZYX 50R Bloom
- Phono amp: Pro-Ject Phono Box RS
- ADC/DAC: RME Fireface UC
- Pre Amp: Große Vorstufe, Erste Frankfurter Röhrenmanufaktur (Tube)
- Finals: Opera Consonance 9.9 Mono (Tube)
- Speakers: Dali Helikon 400
- Connections: MIT Terminator, Audioquest Emerald, Audioquest Quartz
If You hear some clicks and pops here and there, Who cares?
Id rather have a few light anomalies instead of destroying the music.
Enjoy the music, not the ticks & pops.
I tend more and more, in the last time, to de-click with an automatic setting between 0.7 and 1.2 so you can say, my rips are like half rough rips.
- Software: iZotope RX 4 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.9
- Very light de-clicking with iZotope, significant clicks manually removing, no de-noising
- DR-Analisys before converting to Flac
- Converting Wave -> Flac: Twisted Wave 1.9
- Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5
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