Although my four sets of Beethoven’s Concertos (Pollini, Kempff, Katchen, Arrau) and Michelangeli’s 1st, 3rd and 5th, are the best I could find, there’s a grandeur in these performances that never crosses the line into clumsy heaviness, and in a strange way force coexists with suppleness. The Fantasia is a piece I fell in love with from the moment I heard it. This late 1960s recording of the Beethoven Piano Concertos is one of the best, and an interesting contrast: the young, brilliant pianist Barenboim with the elderly condcutor Klemperer.
# Composer: Ludwig van Beethoven
# Performer: Daniel Barenboim
# Orchestra: New Philarmonia Orchestra
# Conductor: Otto Klemperer
# Vinyl (1968)
# Number of Discs: 4
# Format: Flac
# Label: EMI/Angel
# DR-Analysis: DR: 15
# Size: 3.98 GB
# Scan: yes
# Server: FileFactory
Klemperer was known for slow tempos by the 1960s, and a sense of granitic structure: like viewing a beautiful rock hewn of granite from a distance, but not something you can get close to, nor call “charming” or “loving.” This sense is present in Klemperer’s orchestral contribution to these recordings: tempos are never too fast, and there is a sense that something timeless and great is going to happen in every movement. Barenboim’s pianism seems awesome: flawless and technically perfect. How lucky we are that Daniel Barenboim began to mature as a great artist with Klemperer enjoying a glorious Indian summer. This is a miraculous recording. The 24-year-old Barenboim is a match for the magisterial Klemperer, who was almost three times the age of his precocious pianist. It’s remarkable to find two artists of such different ages cooperating so well. And they’re fully equals as well – this is a version of the Beethoven concertos with soloist as primus inter pares. The Emperor has seldom sounded so grand. The orchestral playing is quite something as well.
|Piano Concerto No.1 In C Major, Op.15|
|A1||1st Movement: Allegro Con Brio||16:15|
|A2||2nd Movement: Largo||13:13|
|B1||3rd Movement: Allegro Scherzando||9:27|
|B2||Fantasia In C Major For Piano, Chorus And Orchestra, Op.80 “Choral Fantasia”||21:00|
|Piano Concerto No.2 In B Flat Major, Op.19|
|C1||1st Movement: Allegro Con Brio||14:38|
|C2||2nd Movement: Adagio||9:43|
|C3||3rd Movement: Rondo: Molto Allegro (Cadenzas By Beethoven)||6:03|
|Piano Concerto No.3 In C Minor, Op.37|
|D1||1st Movement: Allegro Con Brio||18:53|
|D2||2nd Movement: Largo||10:52|
|E1||3rd Movement: Rondo Allegro||9:55|
|Piano Concerto No.4 In G Major, Op.58|
|E2||1st Movement: Allegro Moderato||20:49|
|F1||2nd Movement: Andante Con Moto||5:46|
|F2||3rd Movement: Rondo: Vivace (Cadenzas By Beethoven)||11:00|
|Piano Concerto No.5 In E Flat Major, Op.73 (“The Emperor”)|
|G||1st Movement: Allegro||22:42|
|H1||2nd Movement: Adagio Un Poco Mosso||8:58|
|H2||3rd Movement: Rondo: Allegro||11:04|
- RCM: Okki Nokki (L’art du son, Clearaudio’s Diamond Cleaner)
- TT: Vintage (1982) Yamaha PX-3
Cartridge: Sumiko Black Bird
- Cartridge: ZYX 50R Bloom
- Phono amp: Pro-Ject Phono Box RS
- ADC/DAC: RME Fireface UC
- Pre Amp: Große Vorstufe, Erste Frankfurter Röhrenmanufaktur (Tube)
- Finals: Opera Consonance 9.9 Mono (Tube)
- Speakers: Dali Helikon 400
- Connections: MIT Terminator, Audioquest Emerald, Audioquest Quartz
If You hear some clicks and pops here and there, Who cares?
Id rather have a few light anomalies instead of destroying the music.
Enjoy the music, not the ticks & pops.
I tend more and more, in the last time, to de-click with an automatic setting between 0.7 and 1.2 so you can say, my rips are like half rough rips.
- Software: iZotope RX 4 Advanced, Adobe Audition CS 5.5, Twisted Wave 1.9
- Very light de-clicking with iZotope, significant clicks manually removing, no de-noising
- DR-Analisys before converting to Flac
- Converting Wave -> Flac: Twisted Wave 1.9
- Artwork: Sony Alpha 350, Epson Perfection V750 Pro, Photoshop CS 5.5
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