Audio CD
SPARS Code: ADD
Number of Discs: 5
Format: FLAC (image+cue)
Label: Philips
ASIN: B0000B0A0Q
Size: 1.56 GB
Recovery: +3%
Scan: yes
Server: filepost

# Caro Mio Ben for voice & piano (or orchestra)
Composed by Giuseppe Giordani
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Amarilli mia bella, for voice & continuo
Composed by Giulio Caccini
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Ragion sempre addita
Composed by Alessandro Stradella
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Sen corre l’agnelletta
Composed by Domenico Natale Sarro
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Orontea, opera in a prologue & 3 acts Intorno all’idol mio
Composed by Antonio Cesti
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Pur Dicesti, O Bocco Bella
Composed by Antonio Lotti
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Work(s) Spesso vibra per suo gioco
Composed by Alessandro Scarlatti
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Come raggio del sol, for voice & keyboard (or orchestra)
Composed by Antonio Caldara
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# L’honestà negli amori, opera Già il sole dal Gange
Composed by Alessandro Scarlatti
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Deh piu a me non V’Ascondetes
Composed by Giovanni Bononcini
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Danza, Danza, Fanciulla Gentile for voice & piano (or orchestra)
Composed by Francesco Durante
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Sento nel core certo dolore, chamber cantata for soprano or alto & continuo (“S’allontana per non innamorarsi;” “La lontananza”)
Composed by Alessandro Scarlatti
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Sebben crudele me fai languir’s
Composed by Antonio Caldara
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Selve amiche
Composed by Antonio Caldara
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Lo frate ‘nnamorato, musical comedy in 3 acts Act 1. Ogni pena più spietata
Composed by Giovanni Pergolesi
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Plaisir d’amour
Composed by Giovanni Battista Martini
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# Le faux Lord O notte, o dea del mistero
Composed by Niccolo Piccinni
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# La Molinara, opera Nel cor più non mi sento
Composed by Giovanni Paisiello
with James Tyler, Graham Sheen, Nicholas Kraemer, Viola Section Academy of St. Martin-in-the-Fields, Celia Nicklin, Dame Janet Baker
Conducted by Neville Marriner

# La Calisto, opera Ardo, sospiro e piango
Composed by Pietro Francesco Cavalli
Performed by London Philharmonic Orchestra
with Dame Janet Baker
Conducted by Raymond Leppard

# La Calisto, opera Ascender qui ved’io
Composed by Pietro Francesco Cavalli
Performed by London Philharmonic Orchestra
with James Bowman, Dame Janet Baker
Conducted by Raymond Leppard

# La Lucrezia (O Numi Eterni), cantata for soprano & continuo, HWV 145
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Rodelinda, regina de’ Langobardi, opera, HWV 19 Pompe vane di morte!…Dove sei, amato bene?
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Serse (Xerxes), opera, HWV 40 Frondi tenere e belle…Ombra mai fu
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Hercules, oratorio, HWV 60 Where shall I fly!
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Atalanta, opera, HWV 35 Care selve
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Joshua, oratorio, HWV 64 Oh! had I Jubal’s lyre
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Ariodante, opera, HWV 33 Oh! Felice mio core!…Con l’ali di constanza
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Ariodante, opera, HWV 33 E vivo ancora?…Scherza infida in grembo al drudo
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Ariodante, opera, HWV 33 Dopo notte
Composed by George Frideric Handel
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Cantata No. 170, “Vergnügte Ruh, beliebte Seelenlust,” BWV 170 (BC A106) Aria. Vergnügte Ruh’, beliebte Seelenlust
Composed by Johann Sebastian Bach
with Viola Section Academy of St. Martin-in-the-Fields, Dame Janet Baker
Conducted by Neville Marriner

# Dido and Aeneas, opera, Z. 626 But death, alas!…When I am laid in earth…With drooping wings
Composed by Henry Purcell
with English Chamber Orchestra, Dame Janet Baker, Thurston Dart
Conducted by Anthony Lewis

# Arianna a Naxos (“Teseo mio ben”), cantata for soprano & keyboard, H. 26b/2
Composed by Franz Joseph Haydn
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Bernice che fai, cantata, H. 24a/10 Scena di Berenice
Composed by Franz Joseph Haydn
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# La Clemenza di Tito, opera, K. 621 Deh se piacer mi vuoi…Chi ciecamente crede
Composed by Wolfgang Amadeus Mozart
Performed by Covent Garden Royal Opera House Chorus and Orchestra
with Dame Janet Baker
Conducted by Sir Colin Davis

# La Clemenza di Tito, opera, K. 621 Non più di fiori…Infelice! qual orrore!
Composed by Wolfgang Amadeus Mozart
Performed by Covent Garden Royal Opera House Chorus and Orchestra
with Dame Janet Baker
Conducted by Sir Colin Davis

# Così fan tutte, opera, K. 588 Ah, scostati!…Smanie implacabili
Composed by Wolfgang Amadeus Mozart
Performed by Covent Garden Royal Opera House Chorus and Orchestra
with Dame Janet Baker
Conducted by Sir Colin Davis

# Ständchen (“Zögernd, leise”), for alto, chorus & piano (“Notturno”), D. 920 (Op. posth. 135)
Composed by Franz Schubert
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Lazarus, cantata for soloists, chorus & orchestra (Die Feier der Auferstehung) (fragment), D. 689 Aria. So schlummert auf Rosen
Composed by Franz Schubert
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Ah! perfido! . . . Per pieta, non dirmi addio, scena and aria for soprano & orchestra, Op. 65
Composed by Ludwig van Beethoven
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Hippolyte et Aricie, tragédie lyrique Cruelle mère des amours
Composed by Jean-Philippe Rameau
with English Chamber Orchestra, Dame Janet Baker, Thurston Dart
Conducted by Anthony Lewis

# Hippolyte et Aricie, tragédie lyrique Quelle plainte en ces lieux m’appelle?
Composed by Jean-Philippe Rameau
with English Chamber Orchestra, Dame Janet Baker, Thurston Dart
Conducted by Anthony Lewis

# Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 Che farò senza Euridice?
Composed by Christoph Willibald Gluck
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 Che puro ciel, che chiaro sol
Composed by Christoph Willibald Gluck
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# Alceste (Italian version), opera in 3 acts, Wq. 37 Divinités du Styx
Composed by Christoph Willibald Gluck
with English Chamber Orchestra, Dame Janet Baker
Conducted by Raymond Leppard

# La Mort de Cléopâtre, for soprano & orchestra, H.36
Composed by Hector Berlioz
Performed by London Symphony Orchestra
with Dame Janet Baker
Conducted by Sir Colin Davis

# Herminie, cantata (“scène lyrique”) for soprano & orchestra, H. 29
Composed by Hector Berlioz
Performed by London Symphony Orchestra
with Dame Janet Baker
Conducted by Sir Colin Davis

# Béatrice et Bénédict, opera, H. 138 Non! Que viens-je d’entendre?…Il m’en souvient…Je l’aime donc?
Composed by Hector Berlioz
Performed by London Symphony Orchestra
with Dame Janet Baker
Conducted by Sir Colin Davis

# Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano)
Composed by Maurice Ravel
with Melos Ensemble of London, Dame Janet Baker
Conducted by Bernard Keefe

# Chansons madécasses, song cycle for soprano, flute, cello & piano
Composed by Maurice Ravel
with Melos Ensemble of London, Dame Janet Baker

# Chanson perpétuelle, for soprano & orchestra (or piano quintet), Op. 37
Composed by Ernest Chausson
with Melos Ensemble of London, Dame Janet Baker

# Poems Hindous (4) for soprano & ensemble
Composed by Maurice Delage
with Melos Ensemble of London, Dame Janet Baker
Conducted by Bernard Keefe

# The Rape of Lucretia, chamber opera, Op. 37 Lucretia! Lucretia!…
Composed by Benjamin Britten
with English Chamber Orchestra, John Shirley-Quirk, Dame Janet Baker
Conducted by Benjamin Britten

# The Rape of Lucretia, chamber opera, Op. 37 Last night Tarquinus ravished me
Composed by Benjamin Britten
with English Chamber Orchestra, John Shirley-Quirk, Dame Janet Baker
Conducted by Benjamin Britten

# Owen Wingrave, opera, Op. 85 Ah, Owen, what shall I do?
Composed by Benjamin Britten
with Benjamin Luxon, English Chamber Orchestra, Nigel Douglas, Dame Janet Baker
Conducted by Benjamin Britten

# Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93
Composed by Benjamin Britten
with English Chamber Orchestra, Dame Janet Baker
Conducted by Steuart Bedford

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Rooley: Dowland - The Collected Works (12 CD box set, FLAC)

Audio CD (March 13, 2007)
SPARS Code: A-D
Number of Discs: 12 CD box set
Format: FLAC (image+cue)
Label: Decca
ASIN: B000004CYV
Size: 3.8 GB
Recovery: +3%
Scan: yes
Server: filesonic, uploadstation

# The Firste Booke of Songes or Ayres of Fowre Parts 1. Unquiet thoughts
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 2. Who ever thinks of hopes of love
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 3. My thoughts are wing’d with hopes
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 4. If my complaints could passions move
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 5. Can she excuse my wrongs
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 6. Now, O now, I needs must part
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 7. Dear, if you change
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 8. Burst forth my tears
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 9. Go crystal tears
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 10. Think’st thou then by thy feigning
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 11. Come away, come sweet love
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 12. Rest awhile, you cruel cares
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 13. Sleep, wayward thoughts
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 14. All ye, whom Love or Fortune hath betray’d
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 15. Wilt thou unkind thus reave me
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 16. Would my conceit
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 17. Come again: sweet love doth now invite
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 18. His golden locks
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 19. Awake, sweet love
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 20. Come, heavy Sleep
Composed by John Dowland
with Consort of Musicke

# The Firste Booke of Songes or Ayres of Fowre Parts 21. Away with these self-loving lads
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 1. I saw my Lady weep
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 2. Flow my tears
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 3. Sorrow, stay
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 4. Time’s eldest son
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 5. Mourn, mourn, Day is with darkness fled
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 6. Time’s eldest son
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 7. Then sit thee down
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 8. When others sing Venite
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 9. Praise blindness eyes
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 10. O sweet woods
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 11. If floods of tears
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 12. Fine knacks for ladies
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 13. Now cease my wand’ring eyes
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 14. Come ye heavy states of night
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 15. White as lilies was her face
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 16. Woeful heart
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 17. A shepherd in a shade
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 18. Faction that ever dwells
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 19. Shall I sue
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 20. Toss not my soul
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 21. Clear or cloudy
Composed by John Dowland
with Consort of Musicke

# The Second Booke of Songs or Ayres of 2, 4. and 5. parts 22. Humour say what mak’st thou here
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 1. Farewell, too fair
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 2. Time stands still
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 3. Behold a wonder here
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 4. Daphne was not so chaste
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 5. Me, me, and none but me
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 6. When Phoebus first did Daphne love
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 7. Say, Love, if ever thou didst find
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 8. Flow not so fast, ye fountains
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 9. What if I never speed?
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 10. Love stood amazed
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 11. Lend your ears to my sorrow
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 12. By a fountain where I lay
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 13. O what hath overwrought
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 14. Farewell, unkind
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 15. Weep you no more, sad fountains
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 16. Fie on this feigning!
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 17. I must complain
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 18. It was a Time when silly bees
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 19. The lowest trees have tops
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 20. What poor astronomers are they
Composed by John Dowland
with Consort of Musicke

# The Third and Last Booke of Songs or Aires 21. Come when I call
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 1. Disdain me still
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 2. Sweet stay awhile
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 3. To ask for all thy love
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 4. Love, those beams that breed
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 5. Shall I strive with words to move?
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 6. Were every thought an eye
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 7. Stay, Time, awhile thy flying
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 8. Tell me, true Love
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 9. Go nightly cares
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 10. From silent night
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 11. Lasso vita mia
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 12. In this trembling shadow cast
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 13. If that a sinner’s sighs
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 14. Thou mighty God
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 15. When David’s life
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 16. When the poor cripple
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 17. Where sin sore wounding
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 18. My heart and tongue were twins
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 19. Up merry mates
Composed by John Dowland
with Consort of Musicke

# A Pilgrimes Solace 20. Welcome black Night
Composed by John Dowland
with Consort of Musicke, Glenda Simpson

# A Pilgrimes Solace 21. Cease, cease these false sports
Composed by John Dowland
with Consort of Musicke, Glenda Simpson

# Lachrimae Pavan
Composed by Giles Farnaby
with Consort of Musicke, Colin Tilney

# Can shee [excuse], arrangement for harpsichord (after J. Dowland; Fitzwilliam Virginal Book)
Composed by Anonymous
with Consort of Musicke, Colin Tilney

# Paduana for organ
Composed by Paul Siefert
with Consort of Musicke, Colin Tilney

# The Frogge, arrangement for harpsichord (after Dowland)
Composed by John Wilbye
with Consort of Musicke, Colin Tilney

# Frog’s Galliard, arrangement for harpsichord (after Dowland; from Anne Cromwell’s Virginal Book)
Composed by English Anonymous
with Consort of Musicke, Colin Tilney

# Work(s) Unspecified Pavana and Galiarda
Composed by John Dowland
with Consort of Musicke, Colin Tilney

# Paduana Lachrymae, for keyboard (after J. Dowland)
Composed by Melchior Schildt
with Consort of Musicke, Colin Tilney

# Tisdale’s Virginal Book Can She Excuse (Tisdale Virginal Book)
Composed by William Tisdale
with Consort of Musicke, Colin Tilney

# Solus cum sola, pavan for lute, P 10
Composed by John Dowland
with Consort of Musicke, Colin Tilney

# Dowland’s Almayne, for keyboard or lute (A Pilgrimes Solace)
Composed by John Dowland
with Consort of Musicke, Colin Tilney

# Work(s) Piper’s Paven / Galliard
Composed by Martin Peerson
with Consort of Musicke, Colin Tilney

# Pavan & Galliard (“Lachrymae”), for keyboard (pavan by Dowland, Galliard by Harding; arr. by Byrd) Pavana Lachrymae
Composed by William Byrd
with Consort of Musicke, Colin Tilney

# Mr Henry Noell Lamentations 1. The lamentation of a sinner
Composed by John Dowland
with Consort of Musicke

# Mr Henry Noell Lamentations 2. Domine ne in furore
Composed by John Dowland
with Consort of Musicke

# Mr Henry Noell Lamentations 3. Miserere mei Deus
Composed by John Dowland
with Consort of Musicke

# Mr Henry Noell Lamentations 4. The humble suit of a sinner
Composed by John Dowland
with Consort of Musicke

# Mr Henry Noell Lamentations 5. The humble complaint of a sinner
Composed by John Dowland
with Consort of Musicke

# Mr Henry Noell Lamentations 6. De profundis
Composed by John Dowland
with Consort of Musicke

# Mr Henry Noell Lamentations 7. Domine exaudi
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Lachrimae Antiquae
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Lachrimae Antiquae Novae
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Lachrimae Gementes
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Lachrimae Tristes
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Lachrimae Coactae
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Lachrimae Amantis
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Lachrimae Verae
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mr John Langton’s Pavan
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mr Nicholas Gryffith his Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Sir John Souch his Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Semper Dowland Semper Dolens
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mr Giles Hobies Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute The King of Denmark’s Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Sir Henry Umpton’s Funerall
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mr Henry Noell his Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute The Earl of Essex Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mr Bucton his Galliard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mr George Whitehead his Almand
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Captaine Digorie Piper his Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mr Thomas Collier his Galiard
Composed by John Dowland
with Consort of Musicke

# Lachrimae, or Seaven Teares, for 5 viols/violins & lute Mrs Nichols Almand
Composed by John Dowland
with Consort of Musicke

# Sorrow, come!, sacred song for soprano & 4 viols
Composed by John Dowland
with Consort of Musicke

# I shame at mine unworthiness, sacred song for 5 voices
Composed by John Dowland
with Consort of Musicke, Glenda Simpson

# An heart that’s broken and contrite, sacred song for 4 voices & mixed consort
Composed by John Dowland
with Consort of Musicke

# Psalm 100: All people that on earth do dwell (I), for soprano, alto, tenor & bass
Composed by John Dowland
with Consort of Musicke

# Psalm 38: Put me not to rebuke O Lord, for soprano, alto, tenor & bass
Composed by John Dowland
with Consort of Musicke

# Psalm 130: Lord to thee I make my moan (I), for tenor & organ
Composed by John Dowland
with Consort of Musicke

# Psalm 104: My soul praise the Lord, for 4 voices
Composed by John Dowland
with Consort of Musicke

# Psalm 100: All people that on earth do dwell (II), for countertenor, 3 viols & organ
Composed by John Dowland
with Consort of Musicke

# Psalm 134: Behold and have regard, for 4 voices
Composed by John Dowland
with Consort of Musicke

# A Prayer for the Queen’s most excellent Majesty, for voices, viols & organ
Composed by John Dowland
with Consort of Musicke

# Solus cum sola, pavan for lute, P 10
Composed by John Dowland
with Consort of Musicke

# Lachrimae Pavan, for keyboard or lute (from “Lachrimae”)
Composed by John Dowland
with Consort of Musicke

# Work(s) Work(s)~Unspecified Galliard
Composed by English Anonymous
with Consort of Musicke

# Pipers Pavan, for lute (after Dowland)
Composed by English Anonymous
with Consort of Musicke

# Lachrimae, for lute, P 15
Composed by John Dowland
with Consort of Musicke

# The Lady Rich, her Galliard, for lute
Composed by John Dowland
with Consort of Musicke

# Earl of Essex, his Galliard, for lute, P 89
Composed by John Dowland
with Consort of Musicke

# If my complaints, for lute
Composed by John Dowland
with Consort of Musicke

# Lachrimae Doolande, instrumental music
Composed by John Dowland
with Consort of Musicke

# My Lord Willoughby’s Welcome Home, for lute, P 66 (2 versions, 1 for 2 lutes (second part doubtful authenticity))
Composed by John Dowland
with Consort of Musicke

# My Lord Chamberlain his Galliard, for 2 to play on 1 lute, P 37
Composed by John Dowland
with Consort of Musicke

# Comagain (“Come again”) (after John Dowland)
Composed by Jacob van Eyck
with Consort of Musicke

# Variations on Dowland’s Pavane Lachrimae, for recorder & continuo
Composed by Jacob van Eyck
with Consort of Musicke

# Variations on Dowland’s Pavane Lachrimae, for recorder & continuo
Composed by Jacob van Eyck
with Consort of Musicke

# Preludium, for lute, P 98
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Lachrimae, for lute, P 15
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Can she excuse (The Right Honourable Robert, Earl of Essex, his Galliard), galliard for lute, P 42
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Dr Case’s Pavan, for lute, P 12
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Mellancoly Galliard, for lute, P 25
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Sir John Smith, his Almain, for lute, P 47
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Fantasia, for lute in G minor, P 71 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# A Dream, pavan for lute, P 75 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Almain, for lute, P 96
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Queene Elizabeth, her Galliard (The Queen’s Galliard), for lute, P 97
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Coranto, for lute, P 100
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Resolution, pavan for lute, P 13
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Mrs Vaux Galliard, for lute, P 32
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Almain, for lute, P 49
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Mr Dowland’s Midnight, almain for lute, P 99
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Fantasia, for lute in G major, P 1
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# Loth to depart, song arranged for lute, P 69
Composed by John Dowland
with Consort of Musicke, Anthony Bailes

# The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy’s Galliard), for lute, P 41
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Can she excuse (The Right Honourable Robert, Earl of Essex, his Galliard), galliard for lute, P 42
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Pavan, for lute in G minor, P 18
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# John Dowland’s Galliard, for lute, P 21
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Aloe, ballad setting for lute, P 68
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# The Right Honorable Lady Cliftons Spirit, for lute, P 45
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# What if a day, ballad setting for lute, P 79 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Mr Giles Hobie’s Galliard, for lute, P 29
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Come away, song arranged for lute, P 60
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Galliard, for lute in F minor, P 27
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Fantasia, for lute in G minor, P 6
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Lachrimae, for lute, P 15
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Galliard to Lachrimae, for lute, P 46
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Jig, for lute in C minor, P 78 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Galliard (on “Walsingham”), for lute in G minor, P 31
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Complaint, for lute, P 63
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Galliard, for lute in C minor, P 35
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Semper Dowland semper dolens, pavan for lute, P 9
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# The Frog Galliard, for lute, P 23
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Fantasia, for lute in D minor, P 72 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Jakob Lindberg

# Fantasia, for lute in D minor, P 5
Composed by John Dowland
with Nigel North, Consort of Musicke

# Piper’s Pavan, for lute, P 8
Composed by John Dowland
with Nigel North, Consort of Musicke

# Captain Digorie Piper’s Galliard, for lute, P 19
Composed by John Dowland
with Nigel North, Consort of Musicke

# Lady Laiton’s Almain, for lute, P 48
Composed by John Dowland
with Nigel North, Consort of Musicke

# Dowland’s Galliard, for lute, P 20
Composed by John Dowland
with Nigel North, Consort of Musicke

# Dowland’s First Galliard, for lute, P 22
Composed by John Dowland
with Nigel North, Consort of Musicke

# Tarleton’s Jig, for lute, P 81 (possibly spurious)
Composed by John Dowland
with Nigel North, Consort of Musicke

# Walsingham, song arranged for lute, P 67
Composed by John Dowland
with Nigel North, Consort of Musicke

# My Lord Willoughby’s Welcome Home, for lute, P 66 (2 versions, 1 for 2 lutes (second part doubtful authenticity))
Composed by John Dowland
with Nigel North, Consort of Musicke

# Sir Henry Guilford his Almain, for lute (probably authentic)
Composed by John Dowland
with Nigel North, Consort of Musicke

# Pavan, for lute in G minor, P 16
Composed by John Dowland
with Nigel North, Consort of Musicke

# Mr Langton’s Galliard, for lute, P 33
Composed by John Dowland
with Nigel North, Consort of Musicke

# Mrs Clifton’s Almain, for lute, P 53
Composed by John Dowland
with Nigel North, Consort of Musicke

# Galliard, for lute in F minor, P 76 (possibly spurious)
Composed by John Dowland
with Nigel North, Consort of Musicke

# Lady Hunsdon’s Almain (Lady Hunsdon’s Puffe), for lute, P 54
Composed by John Dowland
with Nigel North, Consort of Musicke

# Galliard (on “Awake sweet love”), for lute in D major, P 24
Composed by John Dowland
with Nigel North, Consort of Musicke

# Go from my window, song arranged for lute, P 64
Composed by John Dowland
with Nigel North, Consort of Musicke

# Fantasia, for lute, P 73 (possibly spurious)
Composed by John Dowland
with Nigel North, Consort of Musicke

# Pavana, for lute in C minor, P 94
Composed by John Dowland
with Nigel North, Consort of Musicke

# Mrs Brigide Fleetwood’s Pavan (Solus sine sola), for lute, P 11
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# La mia Barbara, pavan for lute, P 95
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Sir Henry Umpton’s Funerall, for lute
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Lachrimae, for lute (arrangement by Francis Cozens)
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Farewell Fancy (Chromatic fantasia), for lute, P 3
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Farewell (on “In Nomine”), fantasia for lute, P 4
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# The King of Denmark, his Galliard, for lute, P 40
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Mrs Vaux’s Jig, for lute, P 57
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Mrs Nichol’s Almain, for lute, P 52
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Galliard, for lute in G minor, P 30
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Lord Strang’s March, song arranged for lute, P 65
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Mrs Winters Jump, fo lute, P 55
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Can she excuse, galliard arrangement for lute, P 89 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# The Shoemaker’s Wife, a Toy, for lute, P 58
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Mrs Norrish’s Delight, for lute, P 77 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Galliard, for lute in C minor, P 35
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Mrs White’s Thing (Mrs White’s Choice), almain for lute, P 50
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Mrs Whittes Nothing, for lute, P 56
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# The Frog Galliard, for lute, P 90 (possibly spurious arrangement)
Composed by John Dowland
with Consort of Musicke, Anthony Rooley

# Solus cum sola, pavan for lute, P 10
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# The Right Honourable Lord Viscount Lisle (Sir Robert Sidney, his galliard), for lute, P 38 (A Musical Banquet)
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Orlando Sleepeth, arrangement for lute, P 61
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Robin (Bonny Sweet Robin), ballad arranged for lute, P 70
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Galliard (on a galliard by Daniel Bacheler), for lute in C minor, P 28
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Forlorn Hope, fantasie for lute, P 2
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# The Lady Russell’s Pavan, for lute, P 17
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Fantasia, for lute in G minor, P 7
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Mr John Langton’s Pavan, for lute, P 14
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# The Earl of Derby’s Galliard, for lute, P 44
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# A Coy Toy, for lute, P 80 (possibly spurious)
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Fortune My Foe, song arranged for lute, P 62
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Almain, for lute, P 51
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Mr Knight’s Galliard, for lute, P 36
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Sir John Souch his Galliard, for lute, P 26
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# Tarleton’s Resurrection, for lute, P 59
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# The Right Honourable the Lady Rich, her Gaillard (Dowland’s Bells), for lute, P 43
Composed by John Dowland
with Consort of Musicke, Christopher Wilson

# The First Booke of Consort Lessons (1599) Lachrimae Pavan (after Dowland)
Composed by Thomas Morley
with Consort of Musicke

# The First Booke of Consort Lessons (1599) Can she excuse Galliard (after Dowland)
Composed by Thomas Morley
with Consort of Musicke

# The First Booke of Consort Lessons (1599) Captain Piper’s Pavan and Galliard (after Dowland)
Composed by Thomas Morley
with Consort of Musicke

# The First Booke of Consort Lessons (1599) The Frog Galliard (after Dowland)
Composed by Thomas Morley
with Consort of Musicke

# Round Battle Galliard, for lute, P 39
Composed by John Dowland
with Consort of Musicke

# Fortune My Foe, song arranged for lute, P 62
Composed by John Dowland
with Consort of Musicke

# Work(s) Dowland’s First Galliard (from Cambridge manuscript part books, c. 1600)
Composed by John Dowland
with Consort of Musicke

# The Most Sacred Queen Elizabeth, her Galliard (Katherine Darcy’s Galliard), for lute, P 41
Composed by John Dowland
with Consort of Musicke

# Tarleton’s Jig, for lute, P 81 (possibly spurious)
Composed by John Dowland
with Consort of Musicke

# Almain a 2, for consort duo
Composed by John Dowland
with Consort of Musicke

# Mrs Nichols Almain a 2, for consort duo
Composed by John Dowland
with Consort of Musicke

# Susanna Fair, for consort
Composed by John Dowland
with Consort of Musicke

# Mrs Nichols Almand (Mistress Nichols Almand), for 5 viols/violins & lute (from “Lachrimae”)
Composed by John Dowland
with Consort of Musicke

# Opusculum neuwer Pavanen, Galliarden, Couranten unnd Volten Mr john Langton Pavan and Galliard (after Dowland)
Composed by Thomas Simpson
with Consort of Musicke

# Opusculum neuwer Pavanen, Galliarden, Couranten unnd Volten La mia Barbara Pavan and Galliard (after Dowland)
Composed by Thomas Simpson
with Consort of Musicke

# Opusculum neuwer Pavanen, Galliarden, Couranten unnd Volten Lachrimae Antiquae Novae Pavan and Galliard (after Dowland)
Composed by Thomas Simpson
with Consort of Musicke

# Mrs Nichol’s Almain, for lute, P 52
Composed by John Dowland
with Consort of Musicke

# Volta (fromTaffel-Consort)
Composed by Thomas Simpson
with Consort of Musicke

# Were every thought an eye, for 4 voices & lute (A Pilgrimes Solace)
Composed by John Dowland
with Consort of Musicke

# Lady if you so spite me, for voice, lute & bass viol (A Musical Banquet)
Composed by John Dowland
with Consort of Musicke

# Work(s) Unspecified Pavan à 4 (from Thomas Simpson: Taffel-Consort 1621)
Composed by John Dowland
with Consort of Musicke

# My heavy sprite oprest with sorrowes might, for voice & lute
Composed by Antony Holborne
with Consort of Musicke

# Change thy mind since she doth change, song (No. 2 in the collection A Musicall Banquet)
Composed by Richard Martin
with Consort of Musicke

# O eyes, leave off your weeping, song (No. 3 in the collection A Musicall Banquet)
Composed by Robert Hales
with Consort of Musicke

# Go, my flock, go get you hence, song (No. 4 in the collection A Musicall Banquet)
Composed by English Anonymous
with Consort of Musicke

# O dear life, when shall it be?, song (No. 5 in the collection A Musicall Banquet)
Composed by English Anonymous
with Consort of Musicke

# To Plead My Faith
Composed by Daniel Bacheler
with Consort of Musicke

# In a grove most rich of shade, song (No. 7 in the collection A Musicall Banquet)
Composed by Guillaume Tessier
with Consort of Musicke

# Far from the triumphing court, for voice, lute & bass viol (A Pilgrimes Solice)
Composed by John Dowland
with Consort of Musicke

# Lady if you so spite me, for voice, lute & bass viol (A Musical Banquet)
Composed by John Dowland
with Consort of Musicke

# In darkness let me dwell, for voice, lute & bass viol (A Pilgrimes Solace)
Composed by John Dowland
with Consort of Musicke

# Si le parler et le silence
Composed by Pierre Guedron
with Consort of Musicke

# Ce penser qui sans fin tirannise ma vie
Composed by Pierre Guedron
with Consort of Musicke

# Vous que le Bonheur rappelle
Composed by Pierre Guedron
with Consort of Musicke

# Passava Amor su arco desarmado
Composed by Anonymous
with Consort of Musicke

# Sta notte mi sognava
Composed by Anonymous
with Consort of Musicke

# Vuestros ojos tienen d’amor
Composed by Anonymous
with Consort of Musicke

# Se di farmi morire, voce e liuto
Composed by Domenico Maria Melli
with Consort of Musicke

# Dovrò dunque morire
Composed by Giulio Caccini
with Consort of Musicke

# Amarilli mia bella, for voice & continuo
Composed by Giulio Caccini
with Consort of Musicke

# O bella più, for voice & lute
Composed by Anonymous
with Consort of Musicke

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Olga Kondina - Ave Maria (FLAC)

# Performer: Olga Kondina
# Audio CD
# Number of Discs: 1
# Format: FLAC (image+cue)
# Size: 179 MB
# Recovery: +3%
# Scan: yes
# Server: hotfile

01. Ave Maria – G.Caccini
02. Ave Maria – L.Cherubini
03. Ave Maria – F.Shubert
04. Ave Maria – F.Liszt
05. Ave Maria – I.S.Bash, C.Gounod
06. Ave Maria – C.Franck
07. Ave Maria – L.Luzzi
08. Ave Maria – T.Dubois
09. Ave Maria – O.Merikanto
10. Ave Maria – P.Tosti
11. Ave Maria – P.Tosti
12. Ave Maria – G.Verdi

Latin (1,2,4-6,8,12)
German (3)
Italian (7,10,11)
Finnish (9)

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