Tag Archives: Domenico Scarlatti

Mono HD-Vinyl 24/96 (EMI) Vladimir Horowitz – Recordings from 1930-1951


All thanks for this historic set go to Trottar
I give 5 stars for this boxset despite the old recording sound. Sound of piano itself is reasonably well for the day once you are used to the background noise, good enough to convey the subtlty and delicacy of his playing. Prokofiev’s Toccata is still fastest and most exciting on records, verging on super-human. Rachmaninov’s 3rd concerto is the best performance by Horowitz with more argency and intensity than his later recordings. The incandescent account of Liszt Sonata is one of the most compelling and beautiful along side Richter and Pogorelich’s classic accounts. Haydn and Scarlatti sonatas, Beethoven variations, Schumann’s Toccata, Chopin Etudes, Stravinsky’s Petrushka and so much more display Horowitz’ keen sense of tonal colours and mind blowing fluency of playing.

Composer: Domenico Scarlatti, Johann Sebastian Bach, Ludwig van Beethoven, Joseph Haydn, Francis Poulenc, Igor Stravinsky, Claude Debussy, Sergei Rachmaninov, Nikolai Rimsky-Korsakov, Franz Liszt, Frederic Chopin, Robert Schumann
Performer: Vladimir Horowitz
Orchestra: London Symphony Orchestra
Conductor: Albert Coates
Vinyl 1930-1951
Number of Discs: 3
Format: Flac
Label: EMI
DR-Analysis: DR 12
Size: 1.74 GB
Scan: yes
Server: FileFactory

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HD-Vinyl 24/192 (DGG) Various Composers – Vladimir Horowitz – The Studio Recordings New York 1985

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Schumann’s Kreisleriana was a Horowitz speciality. The interpretation here is freer, looser structurally than his 1969 recording. For me, the earlier version is still unmatched in its concentration and the laying bare of Schumann’s duality–in my opinion it remains Horowitz’s finest solo recording. But this 1985 version also has a lot going for it–the tempos are so flexible, without losing the basic meter; and the phrasing is just so “right.” Thus is it with the rest of the recording. This is some of Horowitz’s most romantic Scarlatti playing, almost as if Scarlatti were a baroque Chopin–not as outlandish as it seems, as Chopin adored Scarlatti’s music. The Liszt Valse Oubliee was another Horowitz specialty, he recorded it at least three times officially, this one is my favorite. Horowitz captures Liszt’s mystical eroticism in a way few others have matched. The Impromptu from 1872 is rarely played, and hearing it one understands the comment that Horowitz can get forty colors from a piano by striking two keys.

Composer: Domenico Scarlatti, Franz Schubert, Alexander Scriabin, Franz Liszt, Robert Schumann
Performer: Vladimir Horowitz
Vinyl 1986
Number of Discs: 1
Format: Flac
Label: DGG
DR-Analysis: DR 13
Size: 2.37 GB
Scan: yes
Server: FileFactory

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HD-Vinyl 24/192 (DGG) Various Composers – Horowitz In Moscow

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Can you figure out, what you are going to do, when you become 83 years old? Mr. Horowitz gave a legendary concert in Moscow, playing as beautiful as he maybe never did before. If you are reading this, I am sure you appreciate Horowitz and his music and have already listened to this famous recording. It is just as good as when it was recorded and is one of my favorite for piano music. In the unlikely case you are not familiar with Horowitz in Moscow, this is truly a gem and you should get it. If music can move you, this most certainly will, it is very pleasant.

Composer: Domenico Scarlatti, Wolfgang Amadeus Mozart, Sergei Rachmaninov, Alexander Scriabin, Franz Liszt, Frédéric Chopin, Robert Schumann, Moritz Moszkowski
Performer: Vladimir Horowitz
Vinyl 1986
Number of Discs: 1
Format: Flac
Label: DGG
DR-Analysis: DR 14
Size: 2.29 GB
Scan: yes
Server: FileFactory

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HD-Vinyl 24/96 (EMI) Domenico Scarlatti – 33 Piano Sonatas (Zacharias)

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All thanks for this masterwork go to Jean-Luc
There are not only WAM’s & LvB’s piano sonatas, out there…
All those truly jewels compounding Domenico Scarlatti’s catalogue of keyboard sonatas – short pieces in one movement, greatly imbued with Iberian flavour and passionate rhythms – call for a gifted musician who must be able to naturally alternate melodic lines, sharply shade contrasts and lively use vivid tempos. Therefore only an agile-minded pianist can qualify for the task of interpreting Scarlatti’s sonatas at a masterful degree, a pianist who possesses a robust insight in what music means at its deepest level: feeling embodied in sound. Scarlatti proves a maestro of atmosphere demanding at a largest extent the soloist approaching his music.
Christian Zacharias is – for me – among the living pianists the most suitable to this music. He has all the required qualities as a super-class musician and actually he seems fond of playing this music, loving to polish the phrase up to its last consequences, extracting the right nuances and moods from his keyboard. In short, Christian Zacharias reigns supreme in the realm of clever virtuosity and spontaneous empathy with Scarlatti’s output.

Composer: Domenico Scarlatti
Performer:
Christian Zacharias
Vinyl 1979-1982(1985)
Number of discs: 3
Format: Flac
Label: EMI
DR-Analysis:
DR 12
Size: 2.92 GB
Scan: yes
Server: FF

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HD-Vinyl 24/96 (CBS) Wendy (Walter) Carlos – The Well-Tempered Synthesizer

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If you have to own one of her early recordings, this is the one to get. The haunting final Monteverdi piece, with its strange, beautiful, and terrifying electronic vocals is worth the price of admission alone. Perhaps the crown work on this album is Bach’s 4th Brandenburg Concerto, which Glenn Gould once called the most perfect interpretation.

# Composer: Johann Sebastian Bach, Georg Friedrich Händel, Domenico Scarlatti, Claudio Monteverdi
# Performer: Walter (now Wendy) Carlos
# Vinyl (1969)
# Number of Discs: 1
# Format: FLAC (Tracks)
# Label: CBS
# DR-Analysis: DR 12
# ASIN:
B00005OKS2
# Size: 837 MB
# Scan: yes
# Server: FileFactory

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