All thanks for this go to Bob I love this beautifully performed version of Elijah. The pace was compelling with great balance between the admirable group of soloists and the outstanding chorus. I would strongly take issue with those who criticize Fischer Diskau whose performance was both lyrical and powerful. I am sure his accent is no worse than Mendelsson’s was! This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral. Fischer-Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording. That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional “misfire” but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful.
Composer: Felix Mendelssohn-Bartholdy
Performer: Gwyneth Jones, Janet Baker, Nicolai Gedda, Dietrich Fischer-Dieskau, Wandsworth School Boys’ Choir, New Philharmonia Chorus Orchestra: New Philharmonia Orchestra
Conductor: Rafael Frühbeck De Burgos
Number of discs: 3
DR-Analysis: DR 13 Size: 2.9 GB
All thanks for this gem go to our friend Trottar Sir Colin Davis is the reason for the way we look at the music of Hector Berlioz. He made the music come alive. I own – with the precious contribution by two donators from this blog – the complete cycle of Davis recordings. It wonderful to hear this opera performed as Berlioz would have wanted in 1834. My eyes were opened to the beauty of this forgotten stage work. A MUST for a lover of Hector Berlioz. His operas were pushed aside in the 19th century only to flower in the 20th century. His name has been re-stored in the world in the Opera. A true equal to Verdi, Wagner, Strauss plus the other greats. A truly gifted artist.Berlioz was a rare genius, generally unappreciated in his own day, but now fully recovered. The late Colin Davis has much to do with that, and this wonderful recording was an important part of that rebirth. Especially the fabulous multi-lingual tenor, Nicolai Gedda, offers here a clinic on superb French style and diction, not to mention unsurpassed beauty of shading and tone. The entire cast I judge to be excellent, the story fun and filled with vocal frolic, the orchestra unbeatable.
Composer: Hector Berlioz
Performer: Nicolai Gedda, Hugues Cuénod, Derek Blackwell, Christiane Eda-Pierre, Janine Reiss, Jane Berbié, Jules Bastin Orchestra: B.B.C. Symphony Orchestra
Conductor: Colin Davis
Number of discs: 4
DR-Analysis: DR 14 Size: 3:12 GB
Many thanks to our friend Trottar for Nicolai Gedda, who died January 8th 2017 This recording is part of the historic Colin Davis Berlioz cycle made for Philips in the 1970s. La Damnation de Faust is not an opera; it is not meant for the stage. It is a concert work, not a theatrical piece. It can be adapted for the stage, of course, and has been very successfully many times. The male singers in this recording are hard to beat. Gedda in particular gives one of his best performances on record.
Composer: Hector Berlioz Performers: Josephine Veasey, Richard Van Allan, Nicolai Gedda, Jules Bastin
Orchestra: London Symphony Orchestra
Conductor: Colin Davis
Number of Discs: 3
Size: 2.53 GB
Many thanks to Jean-Luc for this gem Written between 1930 and 1932, The Lady Macbeth of Mtsensk was one of the most brilliant achievements of Shostakovich’s long career. It was also the work that got him into trouble with Stalin. When the Soviet leader attended a performance in Moscow in 1936, almost two years after the opera’s acclaimed Leningrad premiere, he personally ordered the publication of a scathing article in Pravda (“Muddle Instead of Music”), unleashing a ruthless campaign to reduce the arts in Soviet Russia to a state of dogmatic subservience to the regime…..
Composer: Dmitri Shostakovich Performer: Nicolai Gedda, Galina Vishnevskaya, Dimiter Petkov
Orchestra: London Philharmonic Orchestra
Conductor: Mstislav Rostropovich
Vinyl (1979) Number of Discs: 3 Format: Flac Label: EMI DR-Analysis: DR 15 Size: 3.02GB Scan: yes Server: FF
All thanks for tis gem go to our friend Jean-Luc The real test of greatness, both in content and in performance is the effect of repeated hearing–especially repeated hearing without focused concentration. After a while, both the art and the artistry of a recording like this make themselves felt in an undeniable way. Most important of all, the effect of Bach’s St. Matthew Passion is to immerse the listener in the feelings and philosophies of an event that forms the foundation of western culture. This recording of the St. Matthew Passion captures all the feeling and emotion present in the Biblical passages upon which it is based. It is an excellent recording to use for study due to its extremely slow tempo. The tempo, however, unfortunately makes it rather tedious if you do not love the piece before listening to this recording. The final chorus, “Wir setzen uns,” is magnificently done, as is the opening chorus. The soloists are superb, and Klemperer certainly knows how to make one wait for a chord to resolve. All in all, it’s simply amazing.
Composer: Johann Sebastian Bach
Performer: Sir Peter Pears, Sir Geraint Evans, Wilfred Brown, Nicolai Gedda, Walter Berry, Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf, Christa Ludwig Choir: Boys Of The Hampstead Parish Church Choir Chorus Master: Martindale Sidwell, Wilhelm Pitz Orchestra: Philharmonia Choir And Orchestra Conductor: Otto Klemperer
Vinyl (1962) Number of Discs: 4.5 Format: Flac Label: Columbia DR-Analysis: DR 16 Size: 4.62 GB
Many many thanks to our friend Bob for this great and rare pearl
Bellini’s opera “I Capuleti E i Montechi” is unfortunately overshadowed by the more famous Charles Gounod French opera Romeo et Juliette. This Italian bel canto work is rarely staged and even rarely recorded. It’s a pity really because this is a terrific opera, even if highly edited and even if Bellini tinkered with the play. It’s a gem of bel canto opera, full of beautiful melodies, dramatic passions and arias and ensembles that are linked together like a chain of gold. It is a glorious opera when it is performed by the right singers. Recorded in the late 60’s, it stars soprano Beverly Sills and mezzo soprano Janet Baker, both at the height of their powers as singers. In the tenor role (not that of Romeo, but Tebaldo) is Nicolai Gedda.
1000 thanks to our friend Bob for this precious gift
For me this Mimí of 1964 is better than the Decca-Mimí of 1973, with Pavarotti…and she is terrific fantastic in that release. All singers here could have been “only” decent, the orchestra too and the maestro too…I would have bought it anyway, 1000 times again and again, alone for beautiful Mirella and her fresh, angelic voice. People, get it, you never find a better Mirella Freni.
# Composer: Giacomo Puccini
# Performer: Mirella Freni, Nicolai Gedda, Mariella Adani, Mario Sereni
# Orchestra: Orchestra of the Teatro Dell’Opera di Roma
# Conductor: Thomas Schippers
# Vinyl (1964)
# Number of Discs: 2
# Format: Flac
# Label: Angel (EMI)
# DR-Analysis: DR 11
# Size: 2.19 GB
# Scan: yes
# Server: FileFactory
All thanks for this beauty go to our friend Bob Die Zwillingsbrüder (The Twin Brothers, D. 647) is a one-act Singspiel (sometimes also described as a Posse mit Gesang) composed by Franz Schubert in 1819 on a libretto by Georg Ernst von Hofmann. Die Zwillingsbrüder was first performed at the Kärntnertortheater on June 14, 1820.
# Composer: Franz Schubert # Performer: Helen Donath, Nicolai Gedda, Kurt Moll, Dietrich Fischer-Dieskau
# Orchestra: Chorus & Orchestra of the Bavarian State Opera, Munich
# Conductor: Wolfgang Sawallisch # Vinyl (1975) # Number of Discs: 1 # Format: Flac # Label: EMI # DR-Analysis: DR 13 # Size:918 MB # Scan: yes # Server: FileFactory
All thanks for this beauty go to our friend Bob Written in 1810, this frothy little farce reflects the then-current fashion for “Turkish” themes. The overture is fizzingly brilliant, leading to a sequence of ten numbers, only three of them arias, including two for Abu Hassan’s wife, Fatime. The plot involves the machinations of Abu Hassan to get himself out of debt, with the Caliph (one of the three speaking roles) finally awarding him a thousand gold pieces. Sawallisch conducts a brilliant performance, with Nicolai Gedda in the title role pointing his music lightly, with Edda Moser vibrantly as his wife, and with Kurt Moll superb as the grasping money lender, Omar.
This come with first rate sound, engineered in 1975 by an EMI-Electrola team.
# Composer: Carl Maria von Weber # Performer: Edda Moser, Nicolai Gedda, Kurt Moll
# Orchestra: Chorus & Orchestra of the Bavarian State Opera, Munich
# Conductor: Wolfgang Sawallisch # Vinyl (1975) # Number of Discs: 1 # Format: Flac # Label: EMI # DR-Analysis: DR 14 # Size:961 MB # Scan: yes # Server: FileFactory
This recording is a gorgeous performance of Mozart’s excellent Requiem. Sheila Armstrong, the soprano, has a shimmering, pure, beautiful, above all a Mozartian voice – she shines in this recording. Baker has a rich voice that she uses with intelligence. Nicolai Gedda is radiant in the tenor role and Dietrich Fischer-Dieskau is at his considerable finest as the baritone. Daniel Barenboim conducts extremely well, and gets great singing and playing from his chorus and orchestra.
# Composer: Wolfgang Amadeus Mozart # Performer: Nicolai Gedda, Dietrich Fischer-Dieskau, Sheila Armstrong, Janet Baker
# Orchestra: English ChamberOrchestra
# Conductor: Daniel Barenboim
# Vinyl (1972)
# Number of Discs: 1
# Format: Flac # DR-Analysis: DR 10 # Label: EMI Angel
# ASIN: B00AM5RD44 # Size:1.22 GB # Scan: yes
# Server: FF