Performer: Gustav Leonhardt, Leonhardt Consort, Herbert Tachezi, Anneke Uittenbosch, et al.
Orchestra: Concentus Musicus Wien, Leonhardt-Consort
Conductor: Gustav Leonhardt, Nikolaus Harnoncourt
Composer: Johann Sebastian Bach
Audio CD (July 18, 1995)
SPARS Code: A-D
Number of Discs: 3 CD
Label: Teldec
ASIN: B000000SPD
Size: 1.17 GB
Recovery: +3%
Scan: yes
Server: filesonic, uploadstation

# Concerto for harpsichord, strings & continuo No. 4 in A major, BWV 1055
Composed by Johann Sebastian Bach
with Leonhardt Consort, Gustav Leonhardt

# Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056
Composed by Johann Sebastian Bach
with Leonhardt Consort, Gustav Leonhardt

# Concerto for harpsichord, strings & continuo No. 3 in D major, BWV 1054
Composed by Johann Sebastian Bach
with Leonhardt Consort, Gustav Leonhardt

# Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053
Composed by Johann Sebastian Bach
with Leonhardt Consort, Gustav Leonhardt

# Concerto for harpsichord, 2 recorders, strings & continuo No. 6 in F major, BWV 1057
Composed by Johann Sebastian Bach
with Leonhardt Consort, Gustav Leonhardt

# Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052
Composed by Johann Sebastian Bach
with Vienna Concentus Musicus, Herbert Tachezi
Conducted by Nikolaus Harnoncourt

# Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063
Composed by Johann Sebastian Bach
with Anneke Uittenbosch, Leonhardt Consort, Alan Curtis, Gustav Leonhardt

# Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061
Composed by Johann Sebastian Bach
with Anneke Uittenbosch, Leonhardt Consort, Gustav Leonhardt

# Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064
Composed by Johann Sebastian Bach
with Anneke Uittenbosch, Leonhardt Consort, Alan Curtis, Gustav Leonhardt

# Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062
Composed by Johann Sebastian Bach
with Eduard Muller, Leonhardt Consort, Gustav Leonhardt

# Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060
Composed by Johann Sebastian Bach
with Eduard Muller, Leonhardt Consort, Gustav Leonhardt

# Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065
Composed by Johann Sebastian Bach
with Anneke Uittenbosch, Eduard Muller, Leonhardt Consort, Gustav Leonhardt

# Concerto for harpsichord, oboe, strings & continuo No. 8 in D minor (incomplete), BWV 1059
Composed by Johann Sebastian Bach
with Leonhardt Consort, Gustav Leonhardt

# Concerto for harpsichord, strings & continuo No. 7 in G minor, BWV 1058
Composed by Johann Sebastian Bach
with Leonhardt Consort, Gustav Leonhardt

Disc: 1
01. Concerto for harpsichord, strings & continuo No. 4 in A major, BWV 1055: Allegro
02. Concerto for harpsichord, strings & continuo No. 4 in A major, BWV 1055: Larghetto
03. Concerto for harpsichord, strings & continuo No. 4 in A major, BWV 1055: Allegro ma non tanto
04. Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: [Allegro]
05. Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: Largo
06. Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: Presto
07. Concerto for harpsichord, strings & continuo No. 3 in D major, BWV 1054: [Allegro]
08. Concerto for harpsichord, strings & continuo No. 3 in D major, BWV 1054: Adagio e sempre piano
09. Concerto for harpsichord, strings & continuo No. 3 in D major, BWV 1054: Allegro
10. Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053: [Allegro]
11. Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053: Siciliano
12. Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053: Allegro
13. Concerto for harpsichord, 2 recorders, strings & continuo No. 6 in F major, BWV 1057: [Allegro]
14. Concerto for harpsichord, 2 recorders, strings & continuo No. 6 in F major, BWV 1057: Andante
15. Concerto for harpsichord, 2 recorders, strings & continuo No. 6 in F major, BWV 1057: Allegro assai

Disc: 2
01. Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052: Allegro
02. Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052: Adagio
03. Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052: Allegro
04. Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: [Allegro]
05. Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: Alla Siciliana
06. Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: Allegro
07. Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: [Allegro]
08. Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: Adagio ovvero Largo (Quartetto tacet)
09. Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: Fuga Vivace
10. Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: Allegro
11. Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: Adagio
12. Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: Allegro

Disc: 3
01. Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: [Allegro]
02. Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: Andante e piano
03. Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: Allegro assai
04. Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: Allegro
05. Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: Largo ovvero Adagio
06. Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: Allegro
07. Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: [Allegro]
08. Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: Largo
09. Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: Allegro
10. Concerto for harpsichord, oboe, strings & continuo No. 8 in D minor (incomplete), BWV 1059: [Allegro]
11. Concerto for harpsichord, oboe, strings & continuo No. 8 in D minor (incomplete), BWV 1059: [Adagio]
12. Concerto for harpsichord, oboe, strings & continuo No. 8 in D minor (incomplete), BWV 1059: [Presto]
13. Concerto for harpsichord, strings & continuo No. 7 in G minor, BWV 1058: [Allegro]
14. Concerto for harpsichord, strings & continuo No. 7 in G minor, BWV 1058: Andante
15. Concerto for harpsichord, strings & continuo No. 7 in G minor, BWV 1058: Allegro assai

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Bach 2000: The Complete Bach Edition (154 CD box set, APE)

# Audio CD (September 14, 1999)
# Number of Discs: 154 CD box set
# Format: APE (image+cue)
# Label: Teldec
# ASIN: B00001IV8B
# Size: 41.5 GB
# Recovery: 3%
# Scan: yes
# Server: filesonic, uploadstation

The Bach renaissance–which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others–inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer’s complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec’s mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach’s unparalleled legacy. This set brings together performances recorded over the last several decades–a small percentage of the recordings are previously unreleased–of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed “inauthentic” but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included “where the changes seemed sufficiently important,” such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the “Neumeister chorales,” which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility–about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging–using thin cardboard sleeves for the CDs–is distinctively unattractive.) That adds up to just under 160 hours of music–but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and–for all the choral works–texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer’s biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the “period performance” movement. Harnoncourt’s epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach’s time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings–which were not remastered for this set–have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: “I have never felt that Bach worked in a routine manner, that he repeated himself in his works.” Harnoncourt–who has articulated many of his ideas in his book The Musical Dialogue–displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt’s groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt’s 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico’s well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien–again under Harnoncourt–perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a “terminal point” (to use Albert Schweitzer’s famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of “final” or “definitive” word. Instead, it’s an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. –Thomas May

Performers:
Nikolaus Harnoncourt
Gustav Leonhardt
Concentus Musicus Wien
Ton Koopman
Il Giardino Armonico
Andreas Staier
Michele Barchi
Luca Pianca
Werner Ehrhardt
Bob Van Asperen
The Amsterdam Baroque Orchestra & Choir
The Academy of Ancient Music
Christopher Hogwood
Ars Antiqua Austria
Tragicomedia
Musica Antique Koln
Reihard Goebel
Zuzana Ruzickova
Alan Curtis
Olivier Baumont
Glen Wilson
Christoph Pregardien
Klaus Mertens
Barbara Bonney
Thomas Hampson etc

Volume 1, 15 Discs: Sacred Cantatas Nos. 1-14, 16-47; 15 CDs
Volume 2, 15 Discs: Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99
Volume 3, 15 Discs: Sacred Cantatas Nos. 100-117, 119-140,143-149
Volume 4, 15 Discs: Sacred Cantatas BWV 150-159, 161-188, 192, 194-199
Volume 5, 11 Discs: Secular Cantatas App. Sacred Cantatas
Volume 6, 14 Discs: The Sacred Vocal Works Masses, Magnificat, Passions, Oratorios
Volume 7, 7 Discs: The Motets, Chorales & Songs Kirnberger Chorales, Schemelli Songs, Quodlibet
Volume 8, 16 Discs: The Organ Works
Volume 9, 11 Discs: The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc
Volume 10, 11 Discs: The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc
Volume 11, 13 Discs: The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering
Volume 12, 10 Discs: The Orchestral Works The Concertos & Orchestral Suite

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Rostropovich: Plays Cello Works (9CD boxset, APE)

# Performer: Mstislav Rostropovich
# Audio CD (March 25, 2008)
# Number of Discs: 9 CD box set
# Format: APE (image+cue)
# Label: Warner Classics
# ASIN: B0013D8JDS
# Size: 2.16 GB
# Recovery: +3%
# Scan: yes
# Server: hotfile, filesonic

# Toccata (arr. Gaspar Cassad?)
Composer Girolamo Frescobaldi
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# Adagio (arr. JS Bach, BWV 974)
Composer Alessandro Marcello
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# 3 Chorale Preludes (arr. Zolt?n Kod?ly)
Composer attrib. J.S. Bach
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# Aria (arr. Grigori Pekker)
Composer attrib. G.F. Handel
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# Toccata, Adagio & Fugue in C major, BWV 564
Composer Johann Sebastian Bach
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# Altfranz?sische M?dchenbilder (arr. Folkmar L?ngin)
Composer Louis de Caix d’Hervelois
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# 3 Pieces (arr. from 6 St?cke f?r Violine und Orgel, op.150)
Composer Joseph Rheinberger
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# Pri?re, op.158
Composer Camille Saint-Sa?ns
Soloist Mstislav Rostropovich
Soloist Herbert Tachezi

# Concerto in D minor, RV 406 (ed. Gian Francesco Malipiero)
Composer Antonio Vivaldi
Soloist Mstislav Rostropovich
Conductor Hugh Wolff
Orchestra Saint Paul Chamber Orchestra

# Concerto in D major (ed. Rudolf Hindemith, rev. Hugh Wolff)
Composer Giuseppe Tartini
Soloist Mstislav Rostropovich
Conductor Hugh Wolff
Orchestra Saint Paul Chamber Orchestra

# Concerto No.2 in B flat major, Wq 171/H436 (arr. Hugh Wolff)
Composer Carl Philipp Emanuel Bach
Soloist Mstislav Rostropovich
Conductor Hugh Wolff
Orchestra Saint Paul Chamber Orchestra

# Cello Concerto in B minor, op.104
Composer Anton?n Dvor?k

# Variations on a Rococo theme, op.33
Composer Piotr Ilyich Tchaikovsky

# Symphony-Concerto in E minor, op.125
Composer Sergei Prokofiev

# Cello Concerto No.2, “No queda m?s que el silencio”
Composer Crist?bal Halffter

# Cello Concerto No.2
Composer Andr? Jolivet

# Cello Concerto No.1 in E flat major, op.107
Composer Dmitri Shostakovich

# Cello Concerto
Composer Norbert Moret

# Cello Concerto No.1, op.136
Composer Darius Milhaud

# Noctis Equi, op.132
Composer Alun Hoddinott

# Cello Concerto No.2
Composer Krysztof Penderecki

# Cello Concerto
Composer Arthur Honegger

# Triptyque
Composer Renaud Gagneux

# Sotto voce concerto
Composer Rodion Shchedrin

# Un enfant appelle
Composer Marcel Landowski

# La Prison
Composer Marcel Landowski

# Chapter Eight
Composer Alexander Knaifel

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not my rip – many thanks to the original poster

# Composer: Bach, Händel, Saint-Saens, Frescobaldi, Marcello a.o.
# Performer: Mstislav Rostropovich, Herbert Tachezi
# Audio CD (1993)
# Format: Ape
# Label: Teldec
# ASIN CD: B000000SHT
# Size: 304.6 MB
# Scan: yes
# Server: HotFile

Ape-Format, with cue.

Cover is included.

Download from HotFile – no password

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Harnoncourt: Mozart - Lucio Silla (2 CD, FLAC)

# Audio CD (June 25, 1991)
# SPARS Code: DDD
# Number of Discs: 2
# Format: FLAC (tracks+cue)
# Label: Elektra / Wea
# ASIN: B000000SC2
# Size: 652 MB
# Recovery: +3%
# Scan: yes
# Server: filesonic, hotfile

Lucio Silla, opera, K. 135
Composed by Wolfgang Amadeus Mozart
Performed by Vienna Concentus Musicus
with Cecilia Bartoli, Peter Schreier, Yvonne Kenny, Dawn Upshaw, Edita Gruberova, Herbert Tachezi
Conducted by Nikolaus Harnoncourt

Disc: 1
01. Lucio Silla KV 135: Overtura: Molto allegro
02. Lucio Silla KV 135: Overtura: Andante
03. Lucio Silla KV 135: Overtura: Molto allegro
04. Lucio Silla KV 135: Atto Primo: Recitativo ‘Oh ciel, l’amico Cinna’ (Cecilio, Cinna)
05. Lucio Silla KV 135: Atto Primo: No. 1 Aria: ‘Vieni, ov’amor t’invita’ (Cinna)
06. Lucio Silla KV 135: Atto Primo: Accompagnato: ‘Dunque sperar poss’io’ (Cecilio)
07. Lucio Silla KV 135: Atto Primo: No. 2 Aria: Il tenero momento (Cecilio)
08. Lucio Silla KV 135: Atto Primo: Recitativo: ‘A te dell’ amor mio’ (Silla, Celia)
09. Lucio Silla KV 135: Atto Primo: No. 3 Aria: ‘Se lusinghiera speme’ (Celia)
10. Lucio Silla KV 135: Atto Primo: Recitativo: ‘Sempre dovrò verderti’ (Silla, Giunia)
11. Lucio Silla KV 135: Atto Primo: No. 4. Aria: ‘Dalla sponda tenebrosa’ (Giunia)
12. Lucio Silla KV 135: Atto Primo: Recitativo: ‘E tollerare io posso’ (Silla)
13. Lucio Silla KV 135: Atto Primo: Accompagnato: ‘Mi piace! E il cor di Silla’ (Silla)
14. Lucio Silla KV 135: Atto Primo: No. 5 Aria: ‘Il desio di vendetta’ (Silla)
15. Lucio Silla KV 135: Atto Primo: Andante
16. Lucio Silla KV 135: Atto Primo: Accompagnato: ‘Morte, morte fatal’ (Cecilio)
17. Lucio Silla KV 135: Atto Primo: No. 6 Coro: ‘Fuor di queste urne’ (Giunia, Coro)
18. Lucio Silla KV 135: Atto Primo: Accompagnato: ‘Se l’empio Silla’ (Giunia)
19. Lucio Silla KV 135: Atto Primo: No. 7 Duetto: ‘D’elisio in sen mi’attendi’ (Giunia, Cecilio)
20. Lucio Silla KV 135: Atto Secondo: Recitativo: ‘Io ti scopro’ (Silla, Celia)
21. Lucio Silla KV 135: Atto Secondo: Accompagnato: ‘Cecilio, a che t’arresti’ (Cecilio)

Disc: 2
01. Lucio Silla, KV 135: Atto Secondo: No. 9 Aria: ‘Quest’improvviso trèmito’ (Cecilio)
02. Lucio Silla, KV 135: Atto Secondo: Recitativo: ‘Silla m’impone’ (Giunia, Cinna)
03. Lucio Silla, KV 135: Atto Secondo: Accompagnato: ‘Vanne, T’affretta’ (Giunia)
04. Lucio Silla, KV 135: Atto Secondo: No. 11 Aria: ‘Ah se il crudel periglio’ (Giunia)
05. Lucio Silla, KV 135: Atto Secondo: Accompagnato: ‘Ah si, scuotasi omai’ (Cinna)
06. Lucio Silla, KV 135: Atto Secondo: No. 12 Aria: ‘Nel fortunato instante’ (Cinna)
07. Lucio Silla, KV 135: Atto Secondo: Recitativo: ‘Giunia? Qual vista!’ (Silla, Giunia)
08. Lucio Silla, KV 135: Atto Secondo: No. 13 Aria: ‘D’ogni pietà mi spoglio’ (Silla)
09. Lucio Silla, KV 135: Atto Secondo: Recitativo: ‘Che intesi eterni Dei?’ (Giunia, Cecilio)
10. Lucio Silla, KV 135: Atto Secondo: Accompagnato: ‘Chi sà, che non sia questa’ (Cecilio)
11. Lucio Silla, KV 135: Atto Secondo: Recitativo: ‘Perchè mi balzi in seno’ (Giunia, Celia)
12. Lucio Silla, KV 135: Atto Secondo: No. 15 Aria: ‘Quando sugl’arsi campi’ (Celia)
13. Lucio Silla, KV 135: Atto Secondo: Accompagnato: ‘In un istante’ (Giunia)
14. Lucio Silla, KV 135: Atto Secondo: No. 17 Coro: ‘Se gloria il crin ti cinse’ (Coro)
15. Lucio Silla, KV 135: Atto Secondo: Recitativo: ‘Padri coscritti’ (Silla, Giunia, Cecilio)
16. Lucio Silla, KV 135: Atto Secondo: No. 18 Terzetto: ‘Quell’oroglioso sdegno’ (Silla, Giunia, Cecilio)
17. Lucio Silla, KV 135: Atto Terzo: Recitativo: ‘A lui t’affretta’ (Cinna, Celia)
18. Lucio Silla, KV 135: Atto Terzo: No. 19 Aria: ‘Strider senta la procella’ (Celia)
19. Lucio Silla, KV 135: Atto Terzo: Recitativo: ‘Più non mi resta’ (Cecilio, Cinna)
20. Lucio Silla, KV 135: Atto Terzo: Aria: ‘De’ più suberbi il core’ (Cinna)
21. Lucio Silla, KV 135: Atto Terzo: Recitativo: ‘Ah nò, ch’I fato estremo’ (Cecilio, Giunia)
22. Lucio Silla, KV 135: Atto Terzo: No. 21 Aria: ‘Pupille amate’ (Cecilio)
23. Lucio Silla, KV 135: Atto Terzo: Accompagnato: ‘Sposo, mia vita’ (Giunia)
24. Lucio Silla, KV 135: Atto Terzo: No. 22 Aria: ‘Fra i pensier più funesti’ (Giunia)
25. Lucio Silla, KV 135: Atto Terzo: Recitativo: ‘Roma, e il senato’ (Silla, Giunia, Cecilio, Cinna, Celia)
26. Lucio Silla, KV 135: Atto Terzo: No. 23 Finale (Silla, Giunia, Cecilio, Cinna, Celia, Coro)

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