Noseda: Casella - Orchestral Works vol.4 (24/96 FLAC)
Noseda: Casella – Orchestral Works vol.4 (24/96 FLAC)

Composer: Alfredo Casella
Performer: Gillian Keith
Orchestra: BBC Philharmonic Orchestra
Conductor: Gianandrea Noseda
Audio CD
Number of Discs: 1
Format: FLAC (tracks)
Label: Chandos
Size: 1.19 GB
Recovery: +3%
Scan: yes

Casella: 5 Symphonic Fragments from “Le couvent sur l’eau”, Op. 19
01. I. Marche de fete
02. II. Ronde d’enfants
03. III. Con moto, molto appassionato – Barcarolle
04. III. Sarabande
05. IV. Pas des vielles dames
06. V. Nocturne – Danse

07. Casella: Elegia eroica (‘Heroic Elegy’), Op. 29

Casella: Symphony No. 1 in B minor, Op. 5
08. I. Lento grave – Piu mosso – Tempo I: Un poco mosso – Allegro vivo – Lento – Tempo lento maestoso – Tempo I: Allegro vivo
09. II. Adagio, quasi andante
10. III. Lento molto – Poco piu mosso
11. III. Finale: Allegro vivo, energico

Gianandrea Noseda and the BBC Philharmonic here present a fourth captivating volume of orchestral works by Alfredo Casella, part of our ongoing Musica Italiana series.

In 1912, with his music for the ‘choreographic comedy’ Le Couvent sur l’eau, Casella demonstrated that stylistic versatility was no disadvantage for a ballet composer, and although Diaghilev turned down the work for the Ballets Russes, Casella selected the highly colourful and once popular ‘symphonic fragments’, heard here, for concert use.

Similarly, the Elegia eroica is stylistically eclectic, constructed, according to Casella, as a ‘vast triptych’, opening with a dissonant funeral march and ending with a comforting, tuneful lullaby. Casella wrote this piece, which he dedicated ‘to the memory of a soldier killed in the war’, after Italy had entered the First World War and suffered enormous losses.

The three-movement Symphony in B minor is an early work (1906) of creative energy and burning conviction, in which Casella’s enthusiasm for Russian music is revealed already in the sombre Mussorgskyan opening theme. This hypnotic first movement is almost pleasantly oppressive in comparison to the gentler, melodious second, and the bold final movement represents the adventurous exploits of an ambitious young composer.

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